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#1
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OT: In all seriousness about the future
Out of curiosity, where do you guys see the DAW industry in 5 years.
1. Do you believe PT will stay the pro standard based on the last 5 years of it's development. 2. What would really keep PT on top. (be constructive and keep in mind that budgets for all R&R are tight and most likely will stay that way for some time.) 3. What other company do you feel could be in the top position in say 10 years if (theoretically) Avid focused more on entry to mid level systems. 4. If your HD3 (or bigger) system dissolved tomorrow, and you had to pay for a new system out of your pocket, what would you buy? I'm only curious because I was thinking that if MY system blew up, I'm not entirely certain I'd invest past a used HD1 at this point because the future of PT, due mainly to very poor communication and lack of innovation, seems especially uncertain now. Your thoughts ladies and gentlemen. :) Ron |
#2
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Re: OT: In all seriousness about the future
lack of innovation?
What did you drink?
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Alécio Costa Studio High-End e-Mastering & Music Production www.aleciocosta.com http://www.facebook.com/alecio.costa PT Ultimate Native 2023.3 - Mac Mini M1 16GB RAM - Mac Os Ventura 13.2 - 2 192 IO Digidesign Digital PT HD2 Accel - 10.3.10 OS 10.6.8 - Mac Pro 2008 16GB RAM Mastering Gear: Pendulum Audio, Crane Song, Avalon, Great River, Sebatron, Sonnox, Izotope, PSP, TC, Fab Filter. |
#3
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Re: OT: In all seriousness about the future
Another HD rig cause I need it to use my Icon ...
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#4
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Re: OT: In all seriousness about the future
I won't be happy until we have a huge iTouch-like control surface that can morph with software updates/changes. I look forward a few generations from now (GUI control surfaces that can change shape to provide tactile feel/feedback to the user).
I believe everyone should stop designing DSP cards that fit in computers. It is not a good model at this point. Get things right to leverage native horsepower (multi-threaded perfection) and design a specialized high speed audio network to tag on optional monster power DSP boxes and pass audio to/from interfaces. Unfortunately doing it right will render all our existing HD systems worthless. Specialized hardware is evil, software and raw DSP power is wondeful. Hope I don't have too throw my hardware out too many times 'cause the cost really hurts for us project studios. Quote:
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...for system configuration info see my profile (Click on member name) |
#5
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Re: OT: In all seriousness about the future
I would definitely go with another HD system. Maybe even upgrade to an HD3.
I have my quad core 2.6 Xeon Mac Pro and the school I work at has an 8 core Xeon Mac Pro. They have an LE system and even though they have a year old Mac Pro, there always seems to be latency things to worry about--especially when using samplers with the projects. I don't ever have to worry about those sort of things on my HD rig on my 2 year old computer because of HD. Previous to owning Pro Tools HD system, I was working on a Native system for a couple years. It drove me nuts. I hated getting to the final vocals and running out of horse power. Sure, computers are going to keep getting more powerful, but I'd really have to see it working in action as smooth as an HD system before I would consider moving away from HD. I still predict several years before we hit that point.
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recording.guru : FREE Pro Tools Tips and 19 Video Basic Training Course Pro Tools HDX 2023.9 Mac Pro 7,1 3.2 GHz 16-Core Xeon W 160 GB RAM macOS 11.7.4 Noisebox Studios -Utah Recording Studio |
#6
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Re: OT: In all seriousness about the future
I'd still have to stay HD for mixing for right now. If it were to blow up, I would say either Logic or Cubase.
The problem is that it is still very hard to edit raw audio in Logic (zero crossings, etc.) I would still need PT for that, but an LE system could do just fine for editing. Cubase is a little better, but still pretty extraneous. I'm still stuck with PT.
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AKA - EvilElfHobo Pro Tools 10 HD Native | Mbox 3 Pro | MacBook Pro 2.3 i5 | OSX 10.7.4 Pro Tools Music & Post Operator V6-8, Instructor, and Expert ICON Mixer Certified. Multi-Platinum Pro Tools Videos |
#7
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Re: OT: In all seriousness about the future
Quote:
Chris
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PT MAC Troubleshooting... http://duc.avid.com/showthread.php?t=54888 Producer, Engineer, UKmastering Mixing & Mastering Blinders_Columbia top 40 UK album charts Slow Readers Club Joy Of The Return #9 UK album charts www.ukmastering.com PT10.3.10 Mountain Lion HD6 accel Magma PE6R4 D Command 32 MacPro 12 Core 3.46ghz UAD-2 Octo x2. Manley Vari-Mu, Manley Massive Passive, SSL VHD, ADL600, Grove Tubes ViPre, Tube-Tech CL-1B. Hafler TRM active monitoring. |
#8
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Re: OT: In all seriousness about the future
Quote:
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I dont care much in which DAW environment I write/mix the music as long as it is stable and easy to use. PT is. IMO. Quote:
2 - Dedicated hardware Quote:
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I got all the plugs I could every need and then some. Someone who cant make a great mix on PT HD probably cant make a great mix at all
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2016 MacBook Pro Retina | 16GB RAM | 1TB SSD | OS X Latest - PTHD 12 Latest | 4K LG Thunderbolt Display | Logic Pro 10 |
#9
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Re: OT: In all seriousness about the future
I think now's the time for Avid/Digi to take a leaf out of Apples book and concentrate on stability and performance (as in SL) for the next release and leave the innovations and new features for later.
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OSX 10.11.5, PT 12.5, iConnectAudio4+, Axe FX 2 XL+, Music Man Majesty |
#10
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Re: OT: In all seriousness about the future
I have been advocating this for years. With the release of v8.0.1, it appears Avid is finally taking this advice. As a pro user, I don't care about elastic pitch or some new-fangled feature. I need the existing features to work the way I expect when I execute them.
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Jonathan S. Abrams, CEA, CEV, CBNT Apple Certified - Technical Coordinator (v10.5), Support Professional (v10.6 through v10.10) |
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