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#1
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Life has just bit me
I have always bagged bagpipes(excuse the poor pun), yet I have just been asked to record a few tunes for a festival. There are drums, a bass and of course those wretched pipes. Any ideas where to start and an approach to this session?
I understand its hard to be serious on this one but it is a genuine question. Put the pipers on a click, then add the rest in turn? Could be a nightmare. Help please, AJ
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A Gentleman is one who can play the bagpipes, yet chooses not to. |
#2
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Re: Life has just bit me
just guessing,not having any experience here...
one mic from behind topick up the "drones" and one from the front to get the melody pipe or do you find a good room and just use a nice condenser?? i was once at a birthday party and apiper snare player and abig bass drum from the local pipe and drums marching band came in they marched around the room and just filled the the room with this vibe... i don't know if thats what youre trying to capture and it would probably be a mission to recreate the airwaves actually moving aroung you be interested to hear how you get on |
#3
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Re: Life has just bit me
Quote:
You had this one comin' buddy. lol Sorry I cant help. Im sure youll find an answer here though. Sounds interesting. Good Luck. |
#4
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Re: Life has just bit me
I have found that the way to get a really great sound from the bags is to set them on fire.
Really phat! Sorry couln't control myself. Best of luck with the session. I would accually try a nice condenser about 4-6 ft. in front of the player. MC |
#5
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Re: Life has just bit me
For the trad. pipe & drums corp, I would go with a "classical" approach, your basic x-y stereo config. of large diaphragm stereo condensers over the entire ensemble (plus maybe some spot mics for safety, say the bass drum or an add'l stereo pair in front of the snare players) & experiment with placement of the players. (But I'm mystified by the bass; more likely sounds like this isn't a traditional ensemble?) If it's just a single piper, you could of course try two mic's on chanter & drones, or maybe again x-y stereo, since these things have a really huge sound field & I think would be pretty grating if miked too closely - just guessing, though - I've never done it myself...
One thing I do know from colleagues who've recorded pipe ensembles: they're incredibly loud. Aside from watching if you need to kick in the pad switch on your mic's, the sound will fill up & reflect/phase-cancel quite badly in the typical mid-sized recording rooms in most studios (espec. if they're fairly live, which otherwise is desirable for that parade drum sound they favor). Easily said, I know, but the ideal thing would be a really good-sounding small theatre stage, or orchestra shell. Oh, & one last thing: be sure to hide all the liquour before the pipers arrive! [img]images/icons/grin.gif[/img] |
#6
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Re: Life has just bit me
They won't need/want a click. I agree with the previous poster, a decent sized, medium reverb time room is ideal, something wiht not alot of reflections, but a bit of short life to it. One stero pair, capturing the full sound of the ensemble, as individual micing will 1) sound very artifical and 2) they'll be pipes in everything anyway.
And yes, they are extremely loud. Use a pair of mics that can handle high spl's. Hope this is helpful. |
#7
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Re: Life has just bit me
THanks all, I have been to thier rehearsal and I must say that the noise factor is a concern.
"Where" what condensors do you recommend? The volume of these outweight the ammount of noise allowed in the entire universe by about 50:1, and to be honest its a tie between the field snare and the noise sticks. Is it worth a try or should I send them to pipe heaven? concerned if I can do this one? AJ [img]images/icons/confused.gif[/img] [img]images/icons/confused.gif[/img]
__________________
A Gentleman is one who can play the bagpipes, yet chooses not to. |
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