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Current backup strategies
So what are you folks doing for backup for large projects these days? I mean both
while the film is in progress and when it's all over? How about for music type projects where one might have a lot of continuous tracks (as opposed to film jobs where they are more checkerboardy except for the music)? Just park it all on a big FW drive and hope it keeps working? Are you selling your clients drives for this purpose? Since I know that some of you working @ bigger facilities are on networks, do you do the backup at the network level or @ each DAW on its own? Monster AIT drives or? thanks Philip Perkins |
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