Some prepurchase questions

[alberti1]

I ordered a Carbon but they are on back order at the moment. That gives me some time to make sure this is the right choice for me. Here are a few questions that I have before I really commit.

1. Carbon comes with a standard PT, 1 year license with a perpetual parachute and now there is an offer for a free perpetual license of Ultimate. Does that mean you’ll get both, a perpetual Ultimate and a standard perpetual license?

2. Can someone please tell me what kind of latency I can expect from the Carbon when running other DAWs? I understand the dsp wont work in other DAWs. When I look at the roundtrip latency in Logic for a 24 bit 48k with 64 buffer size using my 1248 with the Thunderbolt connection, I get about 3.3 ms roundtrip. With my Apogee Symphony Desktop, I get 7.7 ms roundtrip. This is on a 6-core 2018 Mac mini. What could I expect from the Carbon with the same settings?

3. Scenario – I’m running SSL Channel Strip 2 on all channels including the master fader but not the aux. I then buss all the channels to a stereo aux with a dsp dverb with dsp activated on that channel. Would all Channel Strip 2 plugins get disabled or just the one on the master fader?

4. Depending on the answer to the question above, will my SSL UC1 be useless in dsp mode or are there work arounds? If I can’t put Channel Strip 2 on every channel it kind of ruins the best part of using the UC1. And does anyone know if SSL plans to make an aax dsp version of their plugins?

Thanks for any help

[digiot]

Originally Posted by alberti1

I ordered a Carbon but they are on back order at the moment. That gives me some time to make sure this is the right choice for me. Here are a few questions that I have before I really commit.

1. Carbon comes with a standard PT, 1 year license with a perpetual parachute and now there is an offer for a free perpetual license of Ultimate. Does that mean you’ll get both, a perpetual Ultimate and a standard perpetual license?

Yup you will get both perpetual licenses.

Originally Posted by alberti1

2. Can someone please tell me what kind of latency I can expect from the Carbon when running other DAWs? I understand the dsp wont work in other DAWs. When I look at the roundtrip latency in Logic for a 24 bit 48k with 64 buffer size using my 1248 with the Thunderbolt connection, I get about 3.3 ms roundtrip. With my Apogee Symphony Desktop, I get 7.7 ms roundtrip. This is on a 6-core 2018 Mac mini. What could I expect from the Carbon with the same settings?

It’s probably not going to be better then the 1248 so I would suggest you keep using that. Avid native interfaces never had great low latency specs.

Originally Posted by alberti1

3. Scenario – I’m running SSL Channel Strip 2 on all channels including the master fader but not the aux. I then buss all the channels to a stereo aux with a dsp dverb with dsp activated on that channel. Would all Channel Strip 2 plugins get disabled or just the one on the master fader?

It would still work, anything downstream from a DSP enabled track can also be taken out of DSP mode if needed. (DSP Safe Mode)

Originally Posted by alberti1

4. Depending on the answer to the question above, will my SSL UC1 be useless in dsp mode or are there work arounds? If I can’t put Channel Strip 2 on every channel it kind of ruins the best part of using the UC1. And does anyone know if SSL plans to make an aax dsp version of their plugins?

UC1 will only work on those Native tracks. I personally switched to the Brainworx SSL plug-ins since they run in DSP mode as well. I love the SSL ChannelStrip but
the convenience of being able to run the Brainworx ones in DSP mode far outweighs the ability of using the UC1 for me. I have all the Brainworx Channelstrips (SSL G/E/J,Neve and Amek9099).

I have had a love hate relation ship with control surfaces since the original Mackie HUI. I have owned the HUI,Procontrol,D-Comand and Avid Artist.
I never liked how any of them implemented Plug-in control so I always just end up using them as fader controllers. I tried the UC1 and it really is nice but takes up way to much desk real estate for controlling only 1 Plug-in.

[alberti1]

Hi digiot, thank you for answering my questions. I’m definitely keeping my 1248. I tested the AVB on it yesterday and I was getting 9.4 ms roundtrip at 64 buffer size. I hope the Carbon can do better but it’s ok if it doesn’t, I’ll still have the 1248 in Thunderbolt for my Digital Performer projects. Plus, the 1248 will give me 16 more ins on the Carbon, ADATx2.

Are there any standalone capabilities? If I find the Carbon’s pres are way better than the Symphony’s pres, can I lightpipe the Carbon into the 1248 and still use the Carbons pres and the variable Z when tracking in DP?

I sure hope that the SSL UC1 plugins get an AAX DSP version. I think the UC1 is great. I would just use the Channel Strip 2 exclusively for all my channel strip needs. I wonder if NI, Line6, or Waves will ever go AAX DSP. Headrush should make an AAX DSP version and give us updated Eleven tones.

[K Roche]

Originally Posted by alberti1

Are there any standalone capabilities? If I find the Carbon’s pres are way better than the Symphony’s pres, can I lightpipe the Carbon into the 1248 and still use the Carbons pres and the variable Z when tracking in DP?

I don't use ADAT but I assume since the ADAT on the Carbon is both Input and Output , it seems you should be able to send Carbons ADAT's out to the 1248. But you could also just use the Carbon and record directly to DP and skip ADAT and the 1248 altogether

Don't have a Symphony either But I am "guessing" there will be little noticeable difference and would be negligible as far as the pre's themselves. The converters on the Carbon (may) provide a bit more head room, but that's only a guess, and again the question is,,,, would it really be noticeable ?

[digiot]

Originally Posted by K Roche

I don't use ADAT but I assume since the ADAT on the Carbon is both Input and Output , it seems you should be able to send Carbons ADAT's out to the 1248. But you could also just use the Carbon and record directly to DP and skip ADAT and the 1248 altogether

Don't have a Symphony either But I am "guessing" there will be little noticeable difference and would be negligible as far as the pre's themselves. The converters on the Carbon (may) provide a bit more head room, but that's only a guess, and again the question is,,,, would it really be noticeable ?

Carbon is not really meant to be used "standalone" so all the routing needs to be done from within Protools. Not even sure if you can re-route analog to ADAT from within the Audio/MIDI application!?
But I agree that in the past 5 years or so converters started sounding pretty much alike.
In the end its all relative, you can track in to an $10.000 Prizm with a $50 Behringer MicPre and still sound like ass or use the "stock" converter on your interface with a Neve or API MicPre and sound great.

[K Roche]

Originally Posted by digiot

Carbon is not really meant to be used "standalone" so all the routing needs to be done from within Protools. Not even sure if you can re-route analog to ADAT from within the Audio/MIDI application!?
But I agree that in the past 5 years or so converters started sounding pretty much alike.
In the end its all relative, you can track in to an $10.000 Prizm with a $50 Behringer MicPre and still sound like ass or use the "stock" converter on your interface with a Neve or API MicPre and sound great.

Well as I said I don't use ADAT so I am just speculating and do not know about the routing of ADAT. But since you can have PT and another DAW open at the same time, it seems it could be possible ? Just a guess....

But :::: I think the more important question is why not just go from the Carbon direct into DP ???