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#1
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Memory Locations Categories
Can you recommend a workflow to create different categories of Memory Locations.
Let's say you spot a programm and want to mark all the specific moments where FOLEY is needed, where HARD EFFECTS are, and so on... And later be able to hand the FOLEY List only to another Editor.
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Béla Brandes | www.bbsounddesign.de |
#2
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Re: Memory Locations Categories
you can make some tracks with fake regions named according to what you are spotting
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#3
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Re: Memory Locations Categories
Soundflow has a little utility that allows you to save and load different marker sets. I used it on my last film and it worked brilliantly.
Otherwise the standard way is with empty clip groups, particularly for marking ADR and Foley as they can also show duration as well as start point. Pro tools really should have multiple marker lanes in this day and age.
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Mac Pro 7,1 16 core, OSX 12.7.3, HD-Native TB, Trinnov MC, MTRX Studio, 2xRME ADA-4, Sync HD, AJA IO XT, Avid Dock, Avid S1, PT Control, Soundflow, PT 2023.12 |
#4
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Re: Memory Locations Categories
I do the region group thing. In addition to the advantages Cheesehead mentions (go Packers!), you can also print out lists with something like PT Session (free), which is helpful to some editors and if there's a way to do that with markers, I don't know it.
Sent from my moto e5 play using Tapatalk |
#5
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Re: Memory Locations Categories
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#6
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Re: Memory Locations Categories
Quote:
Create tracks for categories of need. Create clip groups on those tracks for the length of the cue. Lots of typing space.
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Tom Hambleton CAS Ministry of Fancy Noises IMDb Undertone on Facebook Undertone Custom Sound Libraries "Groupable markers would be epochal!" -Starcrash |
#7
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Re: Memory Locations Categories
Region groups also conform. You can have as many tracks as you need, color them, and edit them. Much more flexible than PT's ridiculously limited markers.
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~Will |
#8
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Re: Memory Locations Categories
Really? Very interesting.
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