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#21
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Re: Editing Live Drums, not a typical question
It's simple to use a tempo map, tighten a song to a grid, AND retain the "human" feel. I've done this on piles of recordings: I've worked out a tempo map for the "live" session then instead of quantinizing every note just adjust the bars, leaving the relative "roughness" of the tempo within the bar.
Heck, I've done this to songs, played them back for the drummer and the drummer just thinks he's the [bleep][bleep][bleep][bleep] because of how in the pocket he is (and the one drummer was dead set against me doing any tempo work because he thought it would "kill the groove", I never even told him what I had done)
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#22
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Quote:
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#23
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Re: Editing Live Drums, not a typical question
Quote:
while overdubbing without eye contact. that's why we prefer tracking all live, in the same room, often without headphones. but in the real world you make do. Quote:
recently we had a gtr player send us trax from florida with out a clic. before every modulation was a pause. without eye contact it would have taken our rhythm section and vocalist many takes, time, and money to nail it. instead after mapping it we found there was a bar of 5/4 there; once we put in the real time clic, they killed it first take. Quote:
in the above mentioned track, i took a shaker sample and flew it in to real time perf; followed the groove impeccably; took, oh, about 38 seconds. e for the record
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