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#21
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Re: Dear Avid
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My system is stable and I'm not picking sides just calling out the word better as you applied it. C
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PT 2021.10 HDX 16x24 -Mac Pro 12 Cores 48 GB RAM OS 10.13.6 - API 16 channel - AMS Neve 16 channel, AMS-Neve-SSL -Pres/Processing, Bock Audio, BLUE Bottle, Neumann, Josephson -Mics, Bogner, Kemper- Guitar, Chandler Zener-Curve Bender Outboard/Master. UAudio, Waves, Plugin Alliance etc. |
#22
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Re: Dear Avid
Johnny Johnny Johnny all these blanket statements.
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#23
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Re: Dear Avid
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I dont need PT to handle VIs and MIDI as beautifully as Logic - I just need it to work reliably and in a highly performant way. In Logic I dont get constant errors when trying to record or playback audio recorded in it - it just works. In Protools I am getting CONSTANT errors and CPU overloads and that when running only a few VIs which in other DAWs won't even make the CPU notice that they are there. Logic made their integration of Audio able to compete - Protools failed to achieve the same for their MIDI and VI. Such issues IMO are not about elegancy but about wrong implementation of computer code. It has been a LONG while since the new AVID Audio Engine entered the market, almost 5 years and the issues are still manyfold - so to believe they will be able to fix something that wasn't fixable the past 5 years within 2 months is just not viable as long as major overhauls aren't undertaken
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2016 MacBook Pro Retina | 16GB RAM | 1TB SSD | OS X Latest - PTHD 12 Latest | 4K LG Thunderbolt Display | Logic Pro 10 |
#24
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Re: Dear Aviid
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The MIDI/Piano Roll editor in Pro Tools is arguably better than Logic's (and DP). For example, in Logic you can only view one controller lane at a time. (Yes you can use Hyper Edit in Logic but that's not the same thing.) There can be a lot of "tool" swapping in Logic whereas you only need the Smart Tool and keyboard modifiers in PT. For example, simply command drag on a note to change velocity in PT. In Logic you need to switch to the velocity tool and then drag on the note and switch back again. (I know you could assign the velocity tool to Logic's command mouse click second function thingy but that's just two tools that are instantly available.) Changing note start and end points and note length can all be done with "nudge" commands in PT, it's much more clunky in Logic. Copying and pasting MIDI notes and continuous controllers between tracks is far easier and faster in PT. This can get messy very quickly Logic. In other words, Logic's MIDI editor is over rated and Pro Tools' editor underrated. There are some areas where Logic's MIDI functionality blows ProTools away. Logic's Transform function is far superior and can do things that are impossible in ProTools, for example, remapping continuous controllers. Logic's Environment is incredibly powerful but most people probably don't even know what it does! However overall, the speed, slickness and functionality of PT's MIDI editor beats Logic. Logic does rise above the competition in terms of CPU efficiency and bundled VIs and content. Other than that, Logic as a whole is overrated in my opinion. Yes it pretty much does everything but whatever individual functionality you focus on, it is almost always done better elsewhere. It's very much a jack of all trade's and master of none tool IMO. Where Logic loses: MIDI editing: Pro Tools and DP are better. Cubase is better still. Drum editor: Cubase and DP's Drum Ediitors blow Logic's Hyper Editor out of the water. A drum editor is conspicuous by its absence in ProTools of course Audio Editing: Pro Tools rules closely followed by Nuendo Elastic audio/flextime: Ableton Live totally kills the competition by some margin. Pitch Manipulation: Logic's version of what Melodyne can do is pretty lame. Control surface support: Pro Tools followed by Cubase/Nuendo Where Logic wins: CPU efficiency. Bundled VIs and content. That said, this is yet another area where Logic's ethos of quantity over quality wins out. Whatever VI or sampler instrument you choose in logic is almost invariably bested by third-party products. EXS24 vs. Kontakt, Space Designer vs. Altiverb, Logic's pianos vs. Ivory or Spitfire HZ Piano... etc. etc.... all no contest!
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Dave Marsden UK |
#25
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Re: Dear Avid
As the "industry standard", of course PT should be as good or better than everyone else.
But some perspective.... I know for a fact that there have been issues with PT that appeared on the DUC to be HUGE problems, while in reality less than .5% of the user base were impacted. This is a support forum. All you see is the bad stuff. |
#26
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Re: Dear Avid
The blanket statements are a result of my being in the thick of it at the professional level of Hollywood and having to interact with people in the music and post world every single day since Sound Tools was introduced over 20 years ago.
And the takeaway is that real life at that level is nothing at all like the life you'd expect from constant following of the DUC, where people really only post when they have problems (haha, when you post that you don't have problems, people here try to chase you away and get mad at you!!!). Here on the DUC, it seems like everyone is having problems constantly, and surely those posters are. But when I talk to and/or work with people everyday all day, I don't hear the things you constantly come across here: "Man, I'm really thinking about switching to xxx" "Man, my system is crashing all the time, especially when I"m getting ready for ADR on Game of Thrones" "Man, we're thinking of doing all the audio for the next season of House of Cards on Logic" "Dear Avid, can't you make ProTools stable for me?" What you DO hear is: "When I compose, I do all that work in Logic (or LIVE or Cubase or xxx)" "Which version of PT are you guys running over there?" And occasionally, you hear: "I've got something odd happening in one of my rooms such that PT won't xxx when we try to xxx. Trying to track that little nasty right now" So, yes, I stand by my blanket statement that the DUC probably represents about 1% of real life in PT-land. And I'm posting here not to rub your noses in the fact that I think your problems represent a teeny tiny part of the overall PT community but for the purpose of: 1) letting you know that there is a beautiful sunny world for many users 2) Perhaps I can help some that are having problems up here (if I don't get covered in tomatoes in the meanwhile) |
#27
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Re: Dear Avid
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You've said it all nearly perfectly. But I posted on this thread because the original poster can't seem to get his PT system stable in the first place (let alone have the discussion you and I are having here on whether this DAW excels at this function or that function), and you and I both know that most professional DAWs can at least work properly day to day if your system is set up properly and there are no weird incompatibilities with other third party hardware or software. |
#28
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Re: Dear Aviid
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#29
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Re: Dear Avid
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Agree 100%. And I think PT is better than anything I've seen for audio-related work. We should all know by now that there are better platforms for music creation, sadly, because it would sure kick *ss if we could look at PT as being the best for music creation, music mixing and all post audio applications. |
#30
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Re: Dear Avid
I left PT12 after my one year was up back in November 2016. It felt like I was a dog and Avid was the dog owner. The dog owner only fed his dog just enough to get buy because he knew if he gave him too much the dog would leave..I know that is a stupid saying and backwards but thats how I felt Avid was doing its users. How can a company release bug fixes then end up having more bugs to fix than you previously did is beyond me...Its sad, very sad..
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