Delay Compensation Limit + Ozone?

[bing181]

I'm trying to get a series of tracks out of Pro Tools as loops. These will then be fired off as part of a live project.

But ... I'm running up against the dreaded delay compensation limit in Pro Tools. I'm using a couple of plugins on my master bus, one of which is the dreaded Ozone which takes 18K (or so) samples - but the Pro Tools delay comp limit in my config is around 16K samples. The end result is a blank space at the beginning of each of my loops, making them unusable.

Short of printing back into my session, which would be a pain on multiple levels, is there any workaround here?

Doing my head in.

Thanks in advance.

[Rich Breen]

Lower buffer settings? Audiosuite for the Ozone processing? Be sure to bypass all unused modules in Ozone.