[JoeTools1963]

Originally Posted by its2loud

Here’s a good thread on this topic.

https://duc.avid.com/showthread.php?t=407072&page=2

Why is the editor insisting on this? Are they working with 32bit float production audio? If they’re not then it serves no purpose to send you a 32bit float AAF.

Yes they are working with the original 32bit float audio. I suspect the problem is that, because they have the set it and forget it mindset when shooting, they forget that if the my have opposing microphones, if the input gains are up to high (because in theory it can’t clip) both tracks are receiving nearly identical volume from the people speaking. Make sense?


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