[adamqlw]

My experience with the Axe has been overwhelmingly positive, just a couple of observations below (that may or may not be useful):

1) I miss the front panel of the 11R. When it comes to tweaking a straight up amp, having all the knobs right in front of you is just fantastic. I assume the Kemper is something like that. The quick knobs on the front of the Axe work, but it's just not the same. Having said that, the Axe isn't significantly more difficult to navigate in that regard. I does require that little bit more effort, but not a monumental effort.

2) This is more than compensated by the fact that the Cab/IR block is so damn powerful. Custom IRs and the general flexibility that is built into it is what totally seals the deals. It's really what makes or breaks the tone for me, and with the new IRs coming up, I am super excited. This is what puts it head and shoulders above the 11R for me.

3) I was worried that the Matrix config would be too confusing. It was a little, at the start. Now I realize that it's immensely powerful, and with a little forethought and the scenes function, I've really nailed down my live rig with gapless changes. I usually sketch out on paper an idea of what tones/effects I will need and then map out a virtual rig in the matrix. This brings me beyond programming a single-tone patch, I approach each patch as a complete rig (with multiple amps/effects). It's had an amazing imact on streamlining my patches for live use, on volume matching, and also on having a more consistent tone across a set of patches. I LOVE this function, and it was added in firmware 9. An absolute bonus.

4) Auto-engage makes me weep tears of joy...

5) An extension of the matrix in point 4, start simple. There are plenty of amps in the Axe FX and they seriously have their own distinct character. And like to be paired with different cabs. You probably will never use all of them, but spend a little time getting to know them. It's dead simple to do "basic" patches on the Axe, and once you're familiar with that, bringing those individual components into the matrix is where the power of the unit really explodes.

6) I didn't get the MFC, it's a solid looking pedal but too big for me. I have a Keith McMillen softstep. While the software is not the most intuitive (and uses a ridiculous amount of RAM...), I have been able to program it in standalone mode to do just what I need. I have one patch that switches presets. Another patch that selects from the 8 scenes, AND leaves me with 2 buttons to increment/decrement scene volume. Another patch that lets me cycle through presets in sets of 4, select 4 scenes, and with the increment/decrement function. And a last one that controls the loopers, tuner and patch volume. It's brought all the essential MIDI messages to my feet in a package that fits into the back of my 2U rack... a lethal combination, IMHO, of power, flexibility and weight. Granted, the pad-like buttons are not for everyone, but if size is a concern and you don't want to sacrifice programmability, you'll be hard pressed to do any better than that.

7) I used to have a VG99. I spent hours tweaking that. My tweaking-to-playing ratio was worse than 1:1 in favor of tweaking... and I was never happy with the sound. With the Axe it's a lot less, things generally "sound good". I still do tweak, but more because I want to explore new things (pitch shifter, ducking reverb, more sophisticated scenes within a patch). I can stop anything I want and just play and feel pretty damn satisfied with my tone. Tweaking with the Axe is not "I have to, to get decent tones", it's "I want to because it adds to what I can do with my sound". To me that's an important paradigm shift, and the one that really makes the purchase feel justified.

Best money I ever spent on gear. Period.