Quote:
Originally Posted by BRH
I sure the cam operators on "Catch" don't appreciate having to do audio.
I'm not buying the "It's too dangerous to have an audio person on board" quote... I think producers cheaped out and hired just one audio supervisor, which wasn't either one of you.
1 good channel of wireless and 1 good shotgun probably cost more than the camera.
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I would have to agree that it is too dangerous to have an audio person. I am sure it is bad enough for the camera ops to deal with the conditions, let alone if they had to be tethered to an audio guy via cables from a mixer to the camera.
In close quarters like that a good shotgun mounted on camera into 1 ch. and a lav into the second is about the best you can hope for.