Quote:
Originally Posted by Frank Kruse
But back to your question Joachim: I've never received an AAF with all split tracks already cut (!!!) into the timeline. No picture editor I've seen is willing to maintain a timeline with 50+ tracks. Usually it' the mix track. Camera mics only on documentaries but those are tricky because as you say there's no info they share with the sound recorder other than TC. Using camera mics is asking for trouble and a pain for sound post.
F.
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Ah, good to know.
It is a documentary with no mix track (HFF Munich, final assignment).
In my case, there is no consistency, sometimes a mixdown (!) of two lavs(, with wind noise in lav1, when lav1 is not speaking, but lav2.)
Sometimes correctly all audios, sometimes camera sound only. And when importing the ISO via Field Recorder Workflows, I have to manually sync them to the camera, with up to 1 sec misaligned sync. (Maybe a Lockit-problem.)
The field recorder folder is partially stripped of all data like file comments and track names (Lav1, Lav2, Boom). It's now A3, A4, ... .
No original file names, mostly monsters like "11.09ParisSYNCED_EIFELTURM.sub.40-08.A3" or "20140808_08 Bild und Ton correct.sub.78-35.A2", when the field recorder names are like "PARIS10". What is the necessity for the picture editor to do this ?