AAF from cutter, all audio synced or just partially ?
In a professional environment, what can a sound/dialog editor expect from an AAF from a cutter : just the boom synced or also every lavalier.
One could argue : Field Recorder Work Flow will do it.
Or is it laziness ?
I'm asking this, because I got an AAF with sometimes all audio synced and sometimes just the camera mic. Basically, I have to do the Field Recorder Work Flow on every suspicious single audio file for a given scene.
(And sometimes I was given a mixdown of lav1 + lav 2.)
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