Re: Atmos beds and scene boundaries
I used to do Option 2, substituting 1/4-frame ("perf") for a frame.
Two exceptions were the start of the first scene in a reel, and the end of the last scene in a reel, where I would have both the dialogue and sound effects departments prelap the former and postlap the latter by as much as 1 second, to ensure no holes during longplay construction, changeovers, or cutting pull-ups.
-Phil
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