A couple of earlier threads on this.
http://duc.avid.com/showthread.php?t=389425 tells my tale of how it was far easier to abandon the AAF completely at conform from the EDL using EdiLoad - never could get Source Timecode out using an AAF. This
http://duc.avid.com/showthread.php?t=394167 tells that getting names on clips is possible, and I'll re-paste what my editor's magic combination was:
---
In terms of exporting AAFs, I just did the following:
File > export AAF > check ‘’breakout to mono’’ ENABLE and then everything is as it should be.
If you want to play with the available handles you can click on the dropdown menu next to ‘’Render’’ and change it to ‘’Trim audio files’’ after which you can input your desired handles on the embedded media.
The thing to be careful with is how you treat your audio in your edit, DON’T MERGE CLIPS, we synced the audio and video by creating multicam clips, then at the end of the edit we had to ‘’flatten’’ all the audio (and video) in the sequences before exporting the relevant files - this is done by highlighting al the multicam clips in the sequence, right clicking and going to ''multi-camera'' and clicking on ‘’flatten’’. This changes the synced audio from a synced clips to its original audio source and therefore is the correct file to embed in the AAF.