[soundworthy]

The clip keyframe and track keyframe is what I was referring to when AAFs don’t transfer uniformly across from different NLEs.
A lot film makers are not tech orientated people but make great films, aren’t interested in the upgrade path and just use what they have, because it does the job.
The only reason I put it here was because there are many other experienced users my age that would have come across this and may know why Avid states otherwise.

I’m not trying to fix anything,
10years 15 years, what does it matter if it means something to me, if it doesn’t to you then ignore this thread. I’m just trying to reach out to those in the broader community that understands that just because a version software has been superseded, doesn’t meant it’s obsolete.
It’s not the latest software that makes an operator good.
The best music producer I know uses protools 8.