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Originally Posted by Shan
⇧⇧ Great tip Albee. My own "high end air" workflow is done via parallel processing in most cases. I also create my own "clarity/exciter" plug-in chain and channel for better control of the level and frequency range that I want to augment. I find that dynamic EQs, like TDR NOVA, do this quite well also. Trying the Aural Exciter in a parallel processing configuration on guitar can also elicit some great tones.
Shane |
Interesting approach, and it reminds me of another(while we are on this subject). If you don't have the Aphex plugin, try this. Add an AUX send to an AUX track. On the AUX track, insert EQ III, enable the hi-pass filter and slide it up to around 3Khz. Follow that with a distortion plugin(AIR Distortion or Sansamp both work) and set for mild overdrive. Bring the AUX fader up slowly to taste. This is a great trick for making something(like a vocal) "pop" when volume doesn't do the trick
