Re: Nugen VisLM Settings for Theatrical Commercial and DVD
Postman, you beat me to the query even! Was going to ask about dynamics next. Will go 24/48 and sit around -24 LKFS. May send a -24 and -27 to DVD authoring so they have the option to go one of the two ways Danijel suggested. Do they mix dynamics when authoring as well, or were you mainly referring to the dub stage? I have tended to use a little mastering for broadcast to avoid getting stomped on by the broadcast limiter. Should I leave both DVD and theatrical mix pretty dynamic, or does one get more control than the other?
Thanks!
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