Pop at the end of bounced files
I have posted about this and no one seems to be able to help-
Sometimes when I bounce, I get a "pop" at the very end when its done- All the faders go up for a split second. The problem is, this POP gets onto the final mixed down .wav file. Doesn't always happen, but often enough to be a huge pain in the ass. Why does this happen and how do I get it to stop? Thank You |
Re: Pop at the end of bounced files
Are you using automation on the Master Fader?
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Re: Pop at the end of bounced files
Yes, to make a fade out-- but at the end the line is at the bottom, its not snapping up to the normal level at the end of the highlighted bounce feature.
So is this a known bug then? I used to never have this issue, even with automation on the master fader... |
Re: Pop at the end of bounced files
So?????
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Re: Pop at the end of bounced files
This is a known issue and is logged for a fix. The workaround seems to be making sure your automation ends before the region end.
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Re: Pop at the end of bounced files
The final automation point is at the end of the fadeout. I usually highlight a second past that-- the pop sound is at the end of the bounce upon completion (I also see all the fader meters pop to the red.) not at the automation point...
SO I am not sure what you are suggesting. |
Re: Pop at the end of bounced files
pops also occur when starting or stopping playback!!!
it´s annoying when you´re editing. hundreds of starts and stops and most of the time getting loud pops... |
Re: Pop at the end of bounced files
Quote:
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Re: Pop at the end of bounced files
It doesnt pop back up. I have it fade to the bottom and then the line stays at the bottom...
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Re: Pop at the end of bounced files
Without wishing to seem as if I'm trying to paper over a clearly irritating bug, I actually never use Bounce To Disk....
My workflow is always to record via an AUX back into the session (which might get around this bug), as I find it works for me much better for keeping track of my mixes.... I mostly create music for TV and film, so I often have a LOT of cues (sometimes a couple of hundred on a project...!)... Keeping the mixes within the sessions really helps me keep track of them.... Also, sometimes I have to punch in a section on a mix... It's much easier to do this using this workflow. Also, it means I can easily export mp3 files for the director to approve, and also I find it easier to fade tracks (and also join cues together)... I totally get that the bug needs fixing, but if this method might get around your issues, maybe try it as an alternative? |
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