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#11
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Re: PT's dual low latency buffer, 110 instances of Kontakt 'n stuff.
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#12
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Re: PT's dual low latency buffer, 110 instances of Kontakt 'n stuff.
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No, this has nothing to do with delay compensation.
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My ears! My ears! clausiii ----------------- MacBook Pro i7 Quad 2.6GHz 16GB RAM ProTools 2020.11 Avid S1 Avid Dock Avid Control Digidesign Command|8 macOS Catalina MOTU 4pre MOTU Track16 Axiom Pro 25 LinnStrument 128 Roli Seaboard Block tons of stomp boxes tube amps guitars noise |
#13
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Re: PT's dual low latency buffer, 110 instances of Kontakt 'n stuff.
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This AVID video must be BS? Or, I am doing something terribly wrong and/or misunderstanding that'a going on here....? - I'm midway through a mix. As an experiment I've deliberately frozen all instruments and committed all Elastic, so only audio tracks are running. I've disabled Melodyne. There are no tracks in input monitor/record ready. So, if I understand correctly, I should be able to set the H/W buffer to 32 samples and it not affect playback at all......? .... Have I missed something? - - https://vid.me/OJnP |
#14
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Re: PT's dual low latency buffer, 110 instances of Kontakt 'n stuff.
The way I understand this, the playback buffer on all audio tracks in playback is internally set at the maximum buffer for the sample rate you are using. Tracks in Record are set by the user in the Playback Engine drop-down menu. For Instrument Tracks, both Playback and Record are set by the user.
When a VI track is Committed, it is treated like an Audio Track. I hope this helps.
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~ tom thomas Formerly hobotom Pro Tools Ultimate 2024 HDX Hybrid HD Omni and 192 I/Os Windows 10 Intel Hexcore i7 All Samsung Pro SSDs Ampex MM1200 2" 24 trk tape Outboard: UREI, Eventide, Lexicon, Yamaha, TC Electronics, Orban, ART, EchoAudio, Dolby, Hughes, API, Neve, Audio Arts, BBE, Aphex, Berringer, MOTU, dbx, Allison, etc. Plug-ins: Too many to talk about. www.metrostudios.com |
#15
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Re: PT's dual low latency buffer, 110 instances of Kontakt 'n stuff.
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#16
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Re: PT's dual low latency buffer, 110 instances of Kontakt 'n stuff.
You are missing the other part of the equation. The buffer size also dictates how Pro Tools is prioritizing your CPU distribution. At a low buffer, the CPU is being prioritized for latency, as the buffer gets higher, its being prioritized for power.
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#17
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Re: PT's dual low latency buffer, 110 instances of Kontakt 'n stuff.
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Are there any Instrument Tracks in the session you posted? And then, there's Steve's new post above mine.
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~ tom thomas Formerly hobotom Pro Tools Ultimate 2024 HDX Hybrid HD Omni and 192 I/Os Windows 10 Intel Hexcore i7 All Samsung Pro SSDs Ampex MM1200 2" 24 trk tape Outboard: UREI, Eventide, Lexicon, Yamaha, TC Electronics, Orban, ART, EchoAudio, Dolby, Hughes, API, Neve, Audio Arts, BBE, Aphex, Berringer, MOTU, dbx, Allison, etc. Plug-ins: Too many to talk about. www.metrostudios.com |
#18
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Re: PT's dual low latency buffer, 110 instances of Kontakt 'n stuff.
There were frozen instrument tracks, but I tried committing them to straight audio tracks and it still did the same thing.
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#19
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Re: PT's dual low latency buffer, 110 instances of Kontakt 'n stuff.
Then perhaps there is much more going on here than the simple Avid explanation implies.
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~ tom thomas Formerly hobotom Pro Tools Ultimate 2024 HDX Hybrid HD Omni and 192 I/Os Windows 10 Intel Hexcore i7 All Samsung Pro SSDs Ampex MM1200 2" 24 trk tape Outboard: UREI, Eventide, Lexicon, Yamaha, TC Electronics, Orban, ART, EchoAudio, Dolby, Hughes, API, Neve, Audio Arts, BBE, Aphex, Berringer, MOTU, dbx, Allison, etc. Plug-ins: Too many to talk about. www.metrostudios.com |
#20
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Re: PT's dual low latency buffer, 110 instances of Kontakt 'n stuff.
BUT the AVID vid claims that you can set a low buffer without affecting other playback tracks at all....? "This allows the user to get the lowest possible latency without having to constantly adjust the buffer or the session"
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