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#11
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Re: Limited Range Deliverables?
For both the features I delivered that spec to, we did the theatrical mix in a proper theatrical dubstage like we would normally do, and then for the +12 limited mix we did those on nearfields with our limiters set to -8 and made any adjustments we felt necessary.
Even though it sort of feels like a 'six-of-one/half-dozen-of-another' scenario (what's the difference between bringing the average UP and running it into a -2 limiter vs leaving the average the same and bringing DOWN the limiter to -8), but in practice, personally, I'd still rather do an R.128 the regular way. I feel I have more control over the dynamics and content monitoring on nearfields at TV reference volume and raising the average mix levels and making adjustments that way, if I had my choice. But in the end we deliver what the client wants us to deliver, and it all passed QC. I'm also happy to hear if any others have different workflows or experiences when dealing with this spec, or if they do their process a different way for it, or handle things differently. |
#12
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Re: Limited Range Deliverables?
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I'll keep my fingers crossed they go for the R128. I totally agree, much nicer to mix to R128 and have the extra dynamic range. Although you've explained why they might need this type of mix, it still seems like a backward step to me. The proposals being put forward by Netflix seem much more sensible in terms of translating Theatrical mixes to smaller screens.
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#13
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Re: Limited Range Deliverables?
Ahoy there!
If anyone is interested in this ongoing saga? The company agreed to go with a standard R128 mix. So the moral is as Leverson said: Quote:
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#14
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Re: Limited Range Deliverables?
There may be hope for this world yet.
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#15
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Re: Limited Range Deliverables?
Glad it ended up working out in the end!! Good communication usually smooths out everything for the best!! Thanks for the update on the saga :)
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#16
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Re: Limited Range Deliverables?
Doing research and looking at the mix on the Universal Logo I think Leverson is completely correct, they want the loudness level (Dialog) to be the same as the original mix but limiting the peaks so the whole dynamic range is limited and will not go over -8dB. I can see this on the universal logo mix, the basic levels on the +20 and +12 were the same but the peaks were clipped a bit on the +12 mix.
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