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#11
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Re: NEW Rosetta 800 -- 8-channel, 24/96k
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I have a serious question ( not ironical ). As I just made a patchbay where I linked from XLR ( most of the units I own have both TRS and XLR ) to the TRS patch ( as many studios seem to do, even professionals like broadcast if I´m right on this ) I´m interested to know if you can hear a difference between TRS and XLR connections. Thanks for your response in advance. Lalaman |
#12
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Re: NEW Rosetta 800 -- 8-channel, 24/96k
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#13
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Re: NEW Rosetta 800 -- 8-channel, 24/96k
i have yet to ever see a single analogue modular synth that has XLR connections on the front to patch cables with. hell, i'm not sure i've seen a single hardware synth that has XLR connections. and i'm not sure i've been to a studio that has XLR in its patch bay, but i've been to a hell of a lot of them that use TRS.
but, of course, you are more of a 'pro' than everyone else in the world, so you'd be above that, right.
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you cannot find peace by avoiding life |
#14
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Re: NEW Rosetta 800 -- 8-channel, 24/96k
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I personally have very little use for MIDI, samplers or synths. Everything I use is wired for AES. The fact is, the majority of pro audio gear in the studios you probably have never been to have XLR connectors. The RME, like it or not, is not a professional piece of gear. Don't quit your day job. |
#15
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Re: NEW Rosetta 800 -- 8-channel, 24/96k
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Seriously, calm down guys. |
#16
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Re: NEW Rosetta 800 -- 8-channel, 24/96k
Well, here's a real low level question... I have the digi002 some ds90a monitors and music is my hobby. I don't know much about converters, but I assume the 800 would accept all my inputs and I'd output a spdif / digital back to the digi002. Is that correct? What kind of a sound difference would it make? Thanks!
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#17
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Re: NEW Rosetta 800 -- 8-channel, 24/96k
How would you access the ins and outs from the DSUB? Is it a snake?
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