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#1
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Bouncing to Disk Quality
I did a search on this but turned up nada so forgive me if this has been done but....
looks like I gotta forgo my ideal of mixing my album to outboard bus comp and to half inch. The only viable option is to use emulation plugs and to go bouncing to disk. Does this degrade the sound quality at all? I vaguely remember a rumour sometime that it was best not to mix to disk like this and to record out to DAT or other medium. anyone shed me some light please?
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Pro Tools 12.8.3 iMac 4 GHz Intel Core i7 OS 10.15.7 24GB RAM UAD Satellite Quad UAD Apollo Twin |
#2
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Re: Bouncing to Disk Quality
well, the PT HD mix bus is 48bit FIXED and LE is 32 bit floating. that is going to be better than any 16 bit DAT.
the days of horror with BTD, are pretty much behind us. however.... what i do, with music only projects, is create my 24/96 session (or 24/48 or 24/44 ...). mix mix mix. then, bus my mix to an aux that i call my master. create an audio track. set its input to a bus i call "reprint", then, on a send, bus from the main aux to the audio channel. it is RTD, or record to disk. i do this becasue i hated getting the bounce handler errors, and i also put it in destructive record so that if there is a mistake, i can stop fix it, and punch in, and not have to go back. this also seems to work best for heavy automation. then i select the region, shift-apple-k, export as 24/96 to my designated forlder. et voilá! if the band needs a reference, i pop the 24/96 file into barbabatchg, and make a 16/44.1. i send 24/96 to mastering.
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Tom Hambleton CAS Ministry of Fancy Noises IMDb Undertone on Facebook Undertone Custom Sound Libraries "Groupable markers would be epochal!" -Starcrash |
#3
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Re: Bouncing to Disk Quality
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#4
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Re: Bouncing to Disk Quality
If you use templates, you can include a stereo aux (PreMaster) and a stereo audio track (PrintMix) ready to go from the beginning. For instance, rename Bus 1-2 to "PreMaster", and Bus 3-4 to "PrintMix".
Go to the I/O Setup and choose Bus 1-2/"PreMaster" to be your new default output for new tracks. If you don't use templates you can avoid the only true hassle in this scenario by choosing a stereo bus path as the default for new tracks. Done in seconds.
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Studio rig - Pro Tools|HDX 2018.7 | Logic Pro X.4.2 | Avid HD I/O (8x8x8) | 6-core 3.33 Westmere w/24GB RAM | OS 10.12.3 | D-Command ES | Eleven Rack | Vienna Ensemble Pro 5 Mobile rig - Macbook Pro i7 w/16GB RAM | UA Apollo 8p | Pro Tools|HD 2018.3 | Logic Pro X.4.2 | OS 10.12.6 |
#5
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Re: Bouncing to Disk Quality
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thats really the only extra step. when you bounce, you still have to select settings and location of the file.
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Mac Pro 3.7 Quad Core Intel Mac OS X 10.13.2 PT Ultimate HDX 2019.10 64GB RAM HDX I/O 16x16 Analog HDX I/O 8x8x8 |
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