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#11
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Re: PT Surround Panic!
Probably. The new HD converters are right up there with the Symphony IO, with some people even prefering them over the Symphony.
Plus, the Omni is actually designed for surround monitoring, so it should make things easier overall. |
#12
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Re: PT Surround Panic!
Something you should not ask me. For I ditched the HD converters for their sonic performance and stability.
But I don't want to get something started so I better keep me word. |
#13
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Re: PT Surround Panic!
Quote:
I'd love to hear how things went with your project! Did the crash course in PTHD send you running to the hills or to the Avid site to find yourself an Avid t-shirt? We may be bringing in some 5.1 work and I'm a little anxious about it...
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Mac Pro 8-core quad 2.26 • 24GB RAM • Pro Tools 11 HDX Avid HDio 8×8 MBP Retina 3GHz Intel Core i7 8GB PT 11 • Izotope Goodness • NI Komplete Ultimate 10 NI Kontrol 61 • Focal CMS 65's Sound Workshop 34-B Console '72 Fender Strat • Fender Custom Shop Strat • Bourgeois Slope D Mahogany/Bearclaw • Nordstrand VJ5 |
#14
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Re: PT Surround Panic!
Still working on it! Which is good, because I'm getting more time to figure things out as I go, and bad, because the delays are typical of a disorganized, low-budget film. For example, they had wanted to do a screening this week, but changed composers last weekend.
Anyway, from a technical standpoint, all is pretty smooth (though I have made a number of quick trips to the hills and back ). I'm still working off the demo HD license while waiting for my Native card and OMNI to arrive, but I definitely won't be installing them mid-project. Per Marti's advice, as well as my addiction to my UAD plugins, I'm sticking with PT 10 for now. While the I/O options can get pretty complex, I'm finding the surround setup in PT to be mostly intuitive, and thanks to the extra time I've been given, I've been able to learn much more about it through reading the help file and experimentation. And of course this is also improving my Pro Tools technique in general. I've got much to learn yet, but all in all, I'd say Pro Tools HD was born to do 5.1 mixing. The panner is doing everything I expect, so I'll be very curious to try Spanner at some point to see why everybody loves it so much. I'm still doing dialogue and ADR editing, but should be into full mix mode next week. I'll try to give a more detailed report then. Sean |
#15
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Re: PT Surround Panic!
I finished a mix last night! I ended up with over 140 tracks, 10 RX3 Dialogue Denoiser plugins (a lifesaver), lots and lots of EQ, and about 10 effects plugins, and the CPU meter hovered in the 45-50% area. PT did occasionally screech to a halt with no CPU spike, with a warning about running out of CPU power and advising me to render my Elastic Audio tracks. Never did, and all was fine (other than the inconvenience). This seemed to happen more frequently when I was really ripping through lots of automation editing. One major crash that required a hard reboot, and one weird moment when I seemed to lose a number of voices and had to exit and restart.
While this was the first full pass and there is still much tweaking to be done, I have to say I'm surprised at how smooth it all went—especially considering the short time I've been using PT. Other than the Elastic Audio thing, I had one recurring issue with Waves plugins (which I'll address in a separate thread), and a host of newbie-oriented questions that will either resolve themselves over time or I'll be back here begging for more help. Sean
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Custom i9-12900K, 64GB RAM, W10 Pro, PT Ultimate 2024.03, HD Native, OMNI, Digi 192, UAD-2 Octo; Mac Pro 12-core 3.46, 64GB RAM, Mojave, Logic Pro 10.5.1, Apogee Rosetta 800, UAD-2 Quad, MOTU 2408 Mk II: MBP mid-2012, 16GB RAM, Mojave, MOTU 8-Pre-ES, Pro Tools 2021.7 |
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