Does ELASTIC AUDIO always leave artifacts on every warp marker

[P,B,S]

Is it a virtual guaranty of artifacts with E,A .
I cannot seem to do anything with out making it worse for the best effort I give. I get artifacts get turning on E,A with no movement of warp markers.
For the life of me I cant understand why I would want to use E,A if Im getting this much digital mess.


COULD SOMEBODY PLEASE SCHOOL ME ON THIS
I THINK I NEED IT

[Chief Technician]

What algorithm are you using? Some of the algorithms have limited settings that you can adjust a bit. I haven't had issues with just turning elastic audio on, but my audio files may be different from the ones that you are trying to elasticize.

[Top Jimmy]

It's the analyses markers that are causing the problem. Reduce the analyses sensitivity or manually remove the unnecessary analyses markers.


Buttdialed by me & Tapatalk

[albee1952]

Here's what works for me. I cut the clip(formerly "Region")I want to edit, and copy to another audio track(right above or below the one I am working on), OR I duplicate the playlist and(very important step) cut the duplicate(anywhere) and then consolidate it(which creates a new and separate clip). Either way allows me to work on a clip WITHOUT messing with the original audio(nice to have that available, just in case....). Now I do the EA edits on the duplicate(or the separate track, which is way handy for working on small areas). Once I get things moved and aligned, instead of rendering it, I will bus it back to the original track(record to a new track if you used duplicate playlist). By doing it this way, its seems to impart artifacts less often, and you can revert and start over(and never screw up the original audio).

[P,B,S]

Thank you.

[cwsand]

Originally Posted by albee1952

Here's what works for me. I cut the clip(formerly "Region")I want to edit, and copy to another audio track(right above or below the one I am working on), OR I duplicate the playlist and(very important step) cut the duplicate(anywhere) and then consolidate it(which creates a new and separate clip). Either way allows me to work on a clip WITHOUT messing with the original audio(nice to have that available, just in case....). Now I do the EA edits on the duplicate(or the separate track, which is way handy for working on small areas). Once I get things moved and aligned, instead of rendering it, I will bus it back to the original track(record to a new track if you used duplicate playlist). By doing it this way, its seems to impart artifacts less often, and you can revert and start over(and never screw up the original audio).

That's interesting about recording it back to the original track. Do you know if this is technically better quality than using X-Form on the elastic track before rendering? X-Form seems to help reduce the artifacts, but it usually takes a long time to process.