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#31
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Re: To HEAT or not to HEAT?
I just tell mine "It's music to your ears".
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Too much blood in my drugstream Motherboard: Gigabyte Z690 AERO D CPU: Intel Alder Lake Core i9-12900K CPU Cooler: Noctua NH-D15S RAM: Corsair Vengeance DDR5 64GB (2x 32gb 5200MHz) Drives: 2 x Samsung 980 Pro 2TB NVME PCIE 4.0 M.2 SSD (Record & Samples) 1 x Samsung 980 Pro 1TB NVME PCIE 4.0 M.2 SSD (OS Win 11 Pro) GPU:Gigabyte GeForce RTX 3060 12GB GDDR6 PCIE 4 PSU: Corsair HX Series HX850 Platinim CASE: Fractal Define XL R2 PT 11HD (v11.3.2) Omni s/pdif <> AxeFxIII HD 96I/O |
#32
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Re: To HEAT or not to HEAT?
Good ol kiwi girls....
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Rob MBP 15 2018 macOS Big Sur 11.6.8 Touch Bar and ID 2.2GHz 6 core 8 gen Intel Core i7 processor (TBs to 4.1GHz) 32 Gb of 2400MHz DDR4, 1T SSD, Magic Mouse and Keyboard Pro Tools 2022.7 -23.# - HEAT applied, RME Fireface UCX II ........and a bowl of M&M's |
#33
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Re: To HEAT or not to HEAT?
So how do you guys get round Melodyne running? Do you run HEAT into Melodyne? Or do you end up having to print Melodyne? I was just trying it out (again) and ended up swearing at it (again).
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#34
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Re: To HEAT or not to HEAT?
I run my audio in to it with HEAT off
Sent from my iPhone using Tapatalk
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Raoul Crane
www.blaze-studios.co.uk PT 10.3.10 HD Accel 6, Mac Pro 5.1 12 Core 3.46hz Dual Boot Lion 10.7.5 and Maverick 10.9.5 32GB Ram Magma PE6R4i Chassis |
#35
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Re: To HEAT or not to HEAT?
So you end up with non-heated vocals with everything else heated? Kind of whacks the finely tuned balances out, no? Or maybe you're running Heat from the get-go on everything except the vocals? Still can't really get my head around the best way of implementing it.
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#36
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Re: To HEAT or not to HEAT?
Quote:
I record into melodyne with it bypassed, do my tuning then commit the track to a new track and enable heat. James Welch Recording Engineer | Producer Masterlink Productions Mac Pro 5,1 (Mid 2010) | 3.46GHz Six-Core Intel Xeon | 32GB Ram | AMD Radeon R9 280X 3072 MB | 256GB Samsung SM951 SSD Blade (PCIe) System Drive | 1TB WDC Sample Drive | 4TB RAID 0 Seagate Audio Drive | UAD-2 Quad PCIe Mojave 10.14.5 | Pro Tools Ultimate 2019.5 | HDX | Avid Omni | Avid 16x16 HD I/O x2 | Digidesign 192 | Digidesign C24
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James Welch Recording Engineer | Producer Masterlink Productions Mac Mini 8,1 (2018) | 3.2 GHz 6-Core Intel i7 | 64GB Ram | Apple 27" LED Cinema | 2TB System Drive | LaCie Rugged USB-C 2TB SSD NVMe Audio Drive | UAD-2 Quad Satellite (Firewire) macOS Catalina 10.15.7 | Pro Tools Ultimate 2021.7 | Avid HDX TB3 Chassis | HDX | Avid Omni | Avid 16x16 HD I/O x2 | Digidesign 192 | Digidesign C24 |
#37
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Re: To HEAT or not to HEAT?
HEAT available for standard software as of 2019.6
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Janne What we do in life, echoes in eternity. |
#38
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Re: To HEAT or not to HEAT?
I’ve never used Heat and probably won’t now as it’s usage has been extended to Vanilla PT with prices set to rise when the principals of supply & demand kick in. Everything I’ve seen about heat is that it’s a distortion/harmonic type plugin to make digital sound more like analog tape. I have used other plugins with good success to achieve similar results. I use Wave’s Kramer Tape and sometimes the Pie Compressor with one customer paying the best compliment of “Now that sounds like a record!” after tweakin’ them a little. As it probably is with Heat a little goes a long way sometimes, any effect type plugin is the same.
I started my professional audio career over 40 yrs ago mastering vinyl for major labels and within two yrs I was running a 16 track studio along with it with me being the maintenance tech also. I was 18-20 yrs old through this period, a full plate indeed. I kinda knew what I was doing as I had been doing it since I was 15 and at 18 I had joined the US Navy and was offered entry into their Nuclear Program choosing Cryptology Technician Maintenance instead (badazz electronics training fer’ a year & a half), but was injured on active duty and discharged within two months of entering. One of the things I learned during this period was setting up my Scully 2” 16 track was that properly biased Scotch 250 at 15 ips, +3 over 185 nW/m and let it “Spank” a little sounded record ready with little EQ or compression when it came time to mix. The only thing was Memphis was an Ampex 456 town with all the studios sharing the same Ampex rep (if one studio got in a bind and needed a roll or two of 2” or 1/4” in a pinch, no problem and no re-biasing needed). Just too hard to re-bias a 16 track dinosaur for local and sometimes low budget projects, but when something out of town came in on 250 I liked it! Some of these plugins offer behind the panel adjustments offer bias, hi/lo EQ adjustments also. Again, just a little is all that’s needed sometimes to make something shine. Thing is it’s all just another color on yer’ palette, there are so many others out there now and just because you got it don’t mean you gotta use it. Train yer’ ears to listen to the “Small” differences an effect makes before going whole hog on it. Sometimes doing this you may or may not like what it does, but remember what it does ‘cause it might be just what you need on something else and with 384 voices available there’s always something else. |
#39
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Re: To HEAT or not to HEAT?
Mmmmm so were getting another update this year.... any ETA on that Freak
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Rob MBP 15 2018 macOS Big Sur 11.6.8 Touch Bar and ID 2.2GHz 6 core 8 gen Intel Core i7 processor (TBs to 4.1GHz) 32 Gb of 2400MHz DDR4, 1T SSD, Magic Mouse and Keyboard Pro Tools 2022.7 -23.# - HEAT applied, RME Fireface UCX II ........and a bowl of M&M's |
#40
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Re: To HEAT or not to HEAT?
Quote:
No. Once Ive tuned I then import the audio and turn HEAT on the track Sent from my iPhone using Tapatalk
__________________
Raoul Crane
www.blaze-studios.co.uk PT 10.3.10 HD Accel 6, Mac Pro 5.1 12 Core 3.46hz Dual Boot Lion 10.7.5 and Maverick 10.9.5 32GB Ram Magma PE6R4i Chassis |
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