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A new recorders question about 24 vs 32 bit float.
Im still new to recording, so i want to do things right. I set up all my music in 48k, because my current guitar processor, the axe fx 2, will only allow the digital audio through its spdif output to travel at 48k and sync with the pro tools clock. The question is though, until i downloaded the pro tools 10 trial, i always recorded at 48k 24 bit. Now that i downloaded pro tools 10, it gives me an option for 32 bit float. What exactly does 32 bit float mean,. and should i record in it vs 24 bit?
Also, i have seen the box that says "interleaved" when i set up a session. Do i want to check that box when i record? Sorry if im asking noob questions, i did read the pro tools help box but it didnt really explain to me what i should do between the bit types. |
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Re: A new recorders question about 24 vs 32 bit float.
32 bit float will give you more headroom for your internal bussing in pro tools, which means that your signal can be hotter before it peaks, very useful when your gain chain isn't balanced.
Stereo interleaved simply places all the channels information into one file, instead of two files when you had split-mono (two mono files one left one right). It's useful when you're doing some surround mix too as all the channels would be available from that interleaved file. |
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Re: A new recorders question about 24 vs 32 bit float.
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Re: A new recorders question about 24 vs 32 bit float.
If space isn't a concern, go ahead You won't lose anything but space, but you gain a few things. It won't make your clip sound better because the out put of your AD might only be 24 bit, but you will have more ease down the line if you don't keep track of your signal strength.
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Re: A new recorders question about 24 vs 32 bit float.
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Re: A new recorders question about 24 vs 32 bit float.
It's a pleasure. Have fun recording, it's the best gig there is
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