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#21
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Re: Mellowmuse Auto Time Adjuster
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I'm guessing the latency would change at different buffer settings. |
#22
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Re: Mellowmuse Auto Time Adjuster
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But these days with this sorted out, I'll use a high buffer setting on most projects unless I'm using Virtual Instruments etc which isnt often.
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- Macbook Pro 2.5Ghz, 4gb RAM, 320Gb HD @ 7200RPM - 2 x Profire 2626 - PT8.0.1 M-powered - Yamaha HS80M - Axiom Pro 49 - 500GB Sarotech Hardbox external HDD plugged through express card, FW800 - Waves Gold bundle, L3-16, Eddie Kramer - 2 x Coles 4038, Royer 121, 2 x Shinybox MXL, 4 x SM57, 3 x SM58, AKG D112, SM81, Shure 16A, sE 2000, 3 x Audix D2 |
#23
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Re: Mellowmuse Auto Time Adjuster
Or, track and edit in PTLE and then consolidate and mix in Logic which has ADC.
I like PT for tracking and editing but for large sessions mixing without ADC is too much of a royal pain. Amazing that Avid hasn't made it a regular feature of PTLE yet. I guess they're waiting until they lose even more market share..... |
#24
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Re: Mellowmuse Auto Time Adjuster
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James Cadwallader Mac Studio, 64GB RAM, 1 TB SSD, Glyph 2TB USB3 HDD, OWC drive dock, Mac OS Monterey 12.6.8 Pro Tools Ultimate 2023.9, HD Native, Focusrite Red 8Pre Presonus Faderport, Pro Tools | Control |
#25
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Re: Mellowmuse Auto Time Adjuster
Yay! About friggin time. This is the only move they could do (PT9) but boy they sure put it off as long as they possibly could. This should make a lot of our lives easier. ADC alone was enough of a pain that I was working elsewhere. But I much prefer PT as I have been using it since SDII.
Whew.... |
#26
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Re: Mellowmuse Auto Time Adjuster
So, how is the future of ATA now with Pro Tools 9?
I guess for Hardware Inserts it´s still really useful.
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last: PT11.3.1 |
#27
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Re: Mellowmuse Auto Time Adjuster
I for one won't miss the ATA madness... With all due respect I hated using it and I really had to with my UAD2 solo plugs, which are latency monsters! The MM templates were so dang complicated to most of us... Obviously I'm a knucklehead compared to the brainiac behind ATA. So far so good with PT9 ADC, but since I'm still in the early stages of a composition, I'm not really stress testing it hard.
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My day job: Wilson Dyer MPSE Sound Supervisor: NCIS Los Angeles, CBS Television |
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