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#11
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Re: Does everything have to be multi track?
I'm 64, and on the first couple of sessions I did, my drum kit was mic'd with only a single overhead...a little later they did put a mic on my bass drum...
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X Note that all opinions, observations, whatever, in this post are mine, unless I'm being mean or am wrong, in which case it's somebody else's fault. I do not work for Avid (their loss)...my only relationship with Avid is that of a customer (when I'm not too poor to buy stuff, like now)...and that hot administrative assistant...that's more of a "thing" than a "relationship" (that should keep them guessing for a while...) Just rockin'...what more is there? Bill in Pittsburgh |
#12
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Re: Does everything have to be multi track?
I could do 2 but like 3 as a minimum. Two well placed overheads and a kick mic and that's all I need. Fwiw I'm 32, but been playing in bands for about half my life. Anyways I always appreciate the kiss methodology.
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Dell T5810. Harrison Mixbus 32C. Haven't used PT since 2015 and never been happier. |
#13
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Re: Does everything have to be multi track?
Say I have a bunch of vocal stacks with an aux send of delay and reverb. Can I print all the stacks to one stereo file to save on process power? I have a very old macbook and don't have the money for a better computer right now
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Macbook Pro Mac OS 10.10.3 Mbox 2, Pro Tools 11 |
#14
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Re: Does everything have to be multi track?
Absolutely. That's basically how early "multi-tracking" worked. You had to keep "bouncing" as you recorded new tracks.
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Dell T5810. Harrison Mixbus 32C. Haven't used PT since 2015 and never been happier. |
#15
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Re: Does everything have to be multi track?
In 1977 when I was 12, I hooked a walkie talkie to my old Gibson Colorado guitar and taped the mic open. Then I turned on dad's radio and my other walkie talkie so I had (so I thought) stereo! I had real feedback! And I recorded to two cassette decks, ping ponged back and forth till I had a complete, if poor quality, tune. It was a magical time that I have experienced 4 times throughout life as a recording person. The next time was my first 4 track recorder, the time after that was my first album in 1990 when we had THIRTY TWO tracks of digital on a Mitsubishi machine, and the final time was my first ProTools (nine) rig. I love having the ability to sound the way I want to right here at home.
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A Rig: MacBook Pro Spring 2013, 2.8Ghz I7, 16GB RAM, OSX Mavericks 10.9.4, PT 11.2, MBox Pro 3, Glyph GT 050 Qx3 1.5 TB drives Thunderbolt-FW400, Presonus Faderport. 10 REMOVED! B Rig:MacBook Pro Spring 11, 2.33 GHz I7, 16GB RAM, OSX Mavericks 10.9.4, PT 11.2, MBox Pro 3, Glyph Portagig 62 portable 1 TB drive Firewired with 400, Presonus Faderport. 10 REMOVED! I am the main songwriter/performer for Midwest Whitetail, Cabela's Deer Nation, Spring Thunder, and Northern Waters Series! |
#16
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Re: Does everything have to be multi track?
Quote:
https://soundcloud.com/emmanuel-chayer/three-folk-miniatures-salaberry-de-valleyfield-concert-2007 Unfortunatly they arn't professional players, and it was in a pretty big catholic church so the reverb was pretty overwhelming, not to mention that the conductors (there was two harmony that day) kept changing groups in between songs, and they weren't sitting where they were supposed although I had already talked to them before hand. |
#18
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Re: Does everything have to be multi track?
I have read that the Crown PZM boundary mic is good for drums, also a single CAD M179 overhead pointed at the snare/bass drum.
Never tried these myself as i dont record live drums |
#19
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Re: Does everything have to be multi track?
Best kept secret for live drums is using Neumann 105 live vocal mics without windshields just like you would use Neumann 184's in studio :)
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Janne What we do in life, echoes in eternity. |
#20
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Re: Does everything have to be multi track?
You talking about as using them as individual drum mics or overheads? And how durable are they when whacked by a drum stick?
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