PLUG-INS. THE COMPLETE LIST updated May 25

[Antonio Tarantino]

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RTAS, AUDIOSUITE PLUG-IN LIST FOR WINDOWS USERS OF PRO TOOLS LE WITH DIGI001, DIGI002, MBOX.
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Updated May 25th, 2003 6:30 am (PST)
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Contributors to this list: BigRedButton, Who, GW, J20056, Shan, AudioMedios, Aussie169, Digi002Fla, 8mm Overdose, Phil O'Keefe, Froyo, Lochgarman, Kmshroom, fartation, Antonio.
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The List is divided in two categories. Plug-ins that works in Pro Tools Le and Plug-ins under development or coming soon.
From this list we can jump and dowload free demos and we can check the updated prices so we'll have a better idea of the cost and what is their use.
We welcome RTAS Plug-in Developers with insight news and corrections.

iLok informations from Digidesign can be found here: http://www.digidesign.com/support/ilok/
THE PLUG-INS BELOW ARE AVAILABLE [img]images/icons/grin.gif[/img] [img]images/icons/grin.gif[/img] [img]images/icons/grin.gif[/img]
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AMPLITUBE - www.amplitube.com
Guitar Amp and FX Modeling
$399 (RTAS, AS)/ DEMO: http://amplitube.com/Main.html?ATDownload
Bundled Free with DIGI 002
DIGI002 users update your Amplitube here: https://www.ikstore.com/Login/IKLogin.cgi
Requirements: A Digidesign® qualified Intel Pentium® III or IV (Pentium IV suggested) or AMD Athlon systems running ProTools® LE with Digi 001 or 002 (with Pro Tools software 5.3.1 or later). Windows 2000 Professional SP2 is required for Pro Tools®|MIX systems, Windows XP home or professional edition is required for Pro Tools®|HD, Digi 001 or Digi 002 systems. Windows 98SE or ME can also be used with the Digi 001 but only using Pro Tools software 5.1.1. 128 MB Ram (256 MB suggested).

IK MULTIMEDIA STUDIO BUNDLE
Includes: AmpliTube™, SampleTank® 1.1 XL plug-in sound module with 450 sounds, T-RackS® plug-in analog-modeled all-in-one mastering solution.
Save $500 on regular prices!
(IK-BOXSB-HCD-IN) $799

IK MULTIMEDIA STUDIO BUNDLE UPGRADE
You have to be a registered AmpliTube, SampleTank® XL or T-RackS Plug-In user.
(IK-BOXSB-UCD-IN) $499
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AUTO-TUNE 3 – www.antarestech.com
Pitch Correction
Preserving the great sound quality and ease of use of Auto-Tune, Auto-Tune 3 adds significant new features as well as a snazzy new user interface. Key new features of Auto-Tune 3 include:
* A revised core pitch detection algorithm that greatly improves pitch detection reliability in both Automatic and Graphical Modes.
* "Source Specific" pitch detection and correction algorithms. Choices include Soprano Voice, Alto/Tenor Voice, Low Male Voice, Instrument, and Bass Instrument.
* Phase-coherent pitch correction of stereo tracks.
* A Bass Mode that lowers the lowest detectable frequency by about one octave to 25Hz. Since the lowest E string on a bass guitar is approximately 41Hz, Bass Mode allows the user to apply pitch correction to fretless bass lines as well as other low bass range instruments.
* The ability to set target pitches in real-time via MIDI from a keyboard or sequencer track.
* A new Make Scale From MIDI function for occasions when it is not clear exactly what key a melody line is in, or where the line has too many accidentals to fit comfortably into a conventional scale. For those occasions, the Make Scale From MIDI function allows you to simply play the line from a MIDI keyboard or sequencer and let Auto-Tune 3 construct a custom scale containing only those notes that appear in the line.
* High sample rate (88.2kHz, 96kHz) compatibility
* AudioSuite version (TDM and RTAS only)
$359 (RTAS,AS)/DownloadDemo http://antarestech.com/download/demoform.shtml
Product Manual: http://www.antarestech.com/downloads...ne3_Manual.pdf
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BOMBFACTORY ESSENTIALS 3.0- http://www.bombfactory.com/products/essentials.html
It includes:

BF Essential™ Clip Remover 3.0
Automatic repair of clipped audio recordings. AudioSuite only. $99.00

BF Essential™ Correlation Meter 3.0
Solve tracking and mix problems and troubleshoot phase coherency. $69.00

BF Essential™ Meter Bridge 3.0
Authentic, mathematically-correct metering with minimal CPU overhead. $69.00

BF Essential™ Noise Meter 3.0
Three meters in one: equal loudness, A-weighted noise, and a VU meter with 100dB of range. $99.00

BF Essential™ Tuner 3.0
Tracks better and tunes faster than any of those battery-eating handheld gizmos. $69.00

Funk Logic™ Mastererizer
Bomb Factory brings mastering to a whole new level with the Funk Logic Mastererizer. (Psst… it's a joke.)$24.96

Bomb Factory Demo CD
Featuring trial versions of 20+ amazing Bomb Factory plug-ins. $15
System Requirements: Bomb Factory Version 3 now works with Pro Tools 4 through 5.3.x on Windows (ME/2000/XP), including TDM support. Also support Mbox, Digi001, Digi 002.
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BOMBFACTORY CLASSIC COMPRESSORS 3.0 48khz VALUE EDITION - http://www.bombfactory.com/products/class/
Includes: LA-2A and 1176.
Meticulously crafted digital versions of the LA-2A and 1176, the most popular vintage compressors used in top pro studios.
Proprietary modeling technology (patents pending) captures every tube, transformer and transistor of the originals! Plus sidechain support and perfect stereo tracking--two features not available in the "vintage" domain.
Both $359.10 (RTAS, AS, iLok)/Download Demo http://www.bombfactory.com/products/class/

BOMBFACTORY CLASSIC COMPRESSORS 3.0 96khz HIGH DEFINITION
Both $509.15 (RTAS, AS, iLok)/Download Demo http://www.bombfactory.com/products/class/
System Requirements: Bomb Factory Version 3 now works with Pro Tools 4 through 5.3.x on Windows (ME/2000/XP), including TDM support. Also support Digi 002 on Windows--including 96k native versions of all products and plug-in parameter support on the Digi 002 control surface.
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BOMBFACTORY LA-3A 3.0 48khz VALUE EDITION - http://www.bombfactory.com/products/la3a/
$224.10 (RTAS, AS, iLok)/Download Demo http://www.bombfactory.com/products/class/

BOMBFACTORY LA-3A 3.0 96khz HIGH DEFINITION
$339.15 (RTAS, AS, iLok)/Download Demo http://www.bombfactory.com/products/la3a/
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D-Fi – www.digidesign.com
Analog and Retro Processing
D-Fi is a family of four unique Plug-Ins (Lo-Fi, Sci-Fi, Recti-Fi, and Vari-Fi) providing tools for creative sound design in the TDM, RTAS, and AudioSuite environments. Lo-Fi provides bit-reduction for retro sound processing without the expense of retro equipment. Sci-Fi adds analog synth-type ring modulation, frequency modulation, and variable frequency resonators. Recti-Fi provides super- and sub-harmonic synthesis, and Vari-Fi allows processing of disk files to create the effect of audio changing speed to or from a complete stop. Maximum Supported Sample Rate: 96 kHz.
Includes:
Lo-Fi Variable amplitude noise generator, Sample rate reduction, Sample size reduction, Anti-aliasing control, Soft clipping distortion and saturation
Sci-Fi Ring modulator, Frequency modulation, Positive and negative resonator, Modulation control by LFO, envelope follower, sample-and-hold, and trigger-and-hold
Recti-Fi Full wave rectifier,Subharmonic synthesizer, Pre-filter for adjusting effect frequency, Post-filter for smoothing generated waveform
Vari-Fi Speed up from a complete stop to normal speed. Slow down to a complete stop from normal speed
System requirements:Pro Tools system running Pro Tools 4.0 (or higher)
$395 (RTAS, AS, iLok)
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D-VERB – www.digidesign.com
Reverbe/Ambience Plug-in
From spacious halls to intimate rooms, D-Verb brings professional-quality reverb and ambience processing to single or multiple tracks of your Pro Tools session. With any Pro Tools system, D-Verb delivers real-time processing with automation of every parameter.
D-Verb can be run on single or multiple tracks, auxiliary inputs, and group masters, in mono, stereo, or "mono-to-stereo" to create a stereo image from a mono track. With an attractive new interface, easy on-screen editing, superb audio quality, and the ability to do the work of multiple stand-alone reverb processors, D-Verb is a great performer.
D-Verb is now included for FREE in the DigiRack plug-in set that is bundled with all Pro Tools versions 5.0 and higher.
Features: Professional-quality, 24-bit reverb/ambience processing, Seven algorithm presets, Cost effective — Run multiple reverbs simultaneously. Automation features including dynamic TDM plug-in automation.
Maximum Supported Sample Rate: 96 kHz
System Requirements: Digidesign approved Macintosh or Windows based Pro Tools or Pro Tools LE system
Price Non Available (RTAS, AS, iLok)
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D-FX – www.digidesign.com
AudioSuite Plug-In Package: Reverb, Chorus, Flanger, Multi-Tap Delay and Ping-Pong Delay.
The D-fx family of AudioSuite Plug-Ins offers a great selection of time-domain effects all in one affordable package and is a perfect addition to any system running Pro Tools software.
D-fx includes several effects including Chorus, Flanger, Multi-Tap D elay and Ping-Pong Delay. D-fx also includes D-Verb for use in both RTAS and AudioSuite environments.
Each D-fx Plug-In is designed for intuitive use, with a consistent graphic interface for every effect. All parameters are displayed on one screen allowing instant adjustments D-fx lets you process more and read less. And because D-fx is completely integrated into the Pro Tools software, there's no transition time lost switching between effects processing and editing.
Note: The D-fx plug-ins are included as free DigiRack plug-ins in Pro Tools TDM and LE 6.0 and higher.
Features: Includes RTAS and AudioSuite versions of D-Verb. Great selection of time-domain effects in one affordable package. Perfect addition to any system running Pro Tools software. Use with Pro Tools systems for file-based effects processing. Save and Recall settings, using Pro Tools Plug-In Librarian and Settings pop-up menus
In "stereo" mode, all D-fx Plug-Ins allow processing of two channels as left and right; or, combine the two input signals for a mono in/stereo out effect.
Maximum Supported Sample Rate: 192 kHz
System Requirements: Digidesign-approved Macintosh or Windows CPU. PCI or NuBus-based Pro Tools system running Pro Tools 4.0 (or higher) software
$249 (AS, iLok)
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DINR – www.digidesign.com
Digidesign's award-winning Intelligent Noise Reduction plug-in, effectively reduces unwanted noise — including tape hiss, guitar-amp buzz, and air conditioner rumble — for cleaner, more professional sounding audio.
Since DINR analyzes and subtracts noise entirely within the digital realm, the results can be virtually free of side effects — such as distortion, dynamic modulation (pumping and breathing), and the undesired fluctuations in frequency response associated with conventional noise reduction systems.
FEATURES
Professional-quality broadband noise reduction
Broadband Noise Reduction compatible with Pro Tools systems running on Mac OS or Windows
High fidelity, real-time processing with TDM and file-based processing with AudioSuite
Unparalleled cost-effectiveness
Automation features including dynamic TDM plug-in automation
$995 (AS, iLok)
System Requirementsigidesign-approved Pro Tools system running 4.1.1 software (or higher)

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DR-008- www.fxpansion.com
Drum Sampler. Key to DR-008's capabilities is its unique modular architecture. If you're new to software synths and drums, don't be put off by this:- although DR-008 is complex under-the-hood, it's been carefully designed to remain incredibly easy to use.
Basically, DR-008 has a large (and extensible) library of modules built for a variety of tasks - sampling, analog-modelled or other forms of synthesis, MIDI event processing for performance features, pattern sequencing, and import filters.
When loading ready-made kits or samples, however, it automatically knows the right ones to use... the power is always there when you need it, but never gets in the way wen you don't.
Sample playback is key to many peoples' drum sound - whether it be realistic velocity-layered acoustic kits, warped and mangled waveforms, or simple and quick playback of a large palette of one-shot hits and fx. DR-008 comes with four different sample playback algorithms each optimized for a different task: high-fidelity acoustic sample playback, ultra-CPU-light one-shot playback, or intense wave twisting.
Equally important for many modern and electronic music styles, from contemporary pop and R+B through to experimental IDM, is programmable drum synthesis. DR-008's modular architecture really comes in to its own here:- it comes with over ten different algorithms, each geared to producing a particular class of sound. Want an analog hi-hat? Just pick one of the analog hi-hat models and tweak the five or six parameters until you get the sound you want. All parameters are, of course, fully automatable.
MIDI Processing. Making music on a computer should be fun and intuitive, and that's where DR-008's MIDI processing modules come in. These easy-to-use modules let you easily create layers, rolls and flams that you can trigger with a single key.
An integral part of DR-008 is the built-in pattern sequencing. Unlike other virtual drum modules, DR-008 has pattern sequencing you can trigger from MIDI keys, to quickly build groove menus and variations.
$149(RTAS)There's no demo available for the RTAS version of DR008. The demo available on FXpansion site is only for VST and DX.
You can find drum kits and software utilities for your DR008 in the following links:
Before you download files check compatibility for Pro Tools LE.
Drumkit from hell - http://drumkit.toontrack.com/
DR008 Free Utilities - http://www.delaydots.com/
Import SF2 and AKai with this - http://www.fmjsoft.com/
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FAIRCHILD 660 3.0 48Khz VALUE EDITION - www.bombfactory.com
Designed in the early 1950s, the Fairchild 660 is a variable-mu tube limiter. It features an unusual form of vacuum tube that is capable of changing its gain dynamically. This means that in addition to featuring a tube audio stage like an LA-2A, the Fairchild actually achieves gain reduction through the use of tubes!
Fairchild Model 660 Compressor (support 48khz)
$224.10(RTAS, AS, iLok)

FAIRCHILD 660 3.0 96Khz HIGH DEFINITION
$339.15(RTAS, AS, iLok)
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FOCUSRITE D2 & D3 – www.digidesign.com
Multi-band EQ and Compressor/Limiter Plug-In Bundle.
The d2 software-based digital equalizer, designed for Pro Tools TDM-based systems, is truly worthy of its lineage: the Red Range 2 Dual EQ designed by Rupert Neve. It provides three different mono or stereo modules: six band, four band, and dual/single band. These versatile configurations allow DSP power to be used where it is needed most. Any band type (or types) can be accessed up to the available DSP power in the system. d2 includes high- and low-pass filters, high and low shelving filters and high-mid and low-mid peaking filters.
d2 also features analog-style overload indicators to track clipping and a highly accurate Cartesian graph that displays EQ settings as they are being adjusted. When an offset exists for the left and right channels, the graph will display both channels simultaneously.
Focusrite's d3 is a world-class, software-based compressor/limiter for Pro Tools TDM and AudioSuite-capable systems that provides two mono or stereo configurations. The Compressor+Limiter supplies both compression and limiting at all times. The Compressor/Limiter allows users to select compression or limiting, conserving DSP power for other operations as necessary.
One d3 Plug-In can be used multiple times simultaneously, limited only by DSP capacity. Pro Tools software supports side-chain processing with d3, accepting post-fader input from any track or bus to control dynamics parameters. Of course, all settings are automatically restored and recalled with the Pro Tools session.
Both the d2 and d3 interfaces closely emulate their respective sibling Red Range hardware units, with their red brushed-aluminum panel graphics, illuminated push buttons and rotary control knobs. A floating editor window supplies instant access to the various modules of the d2 — six band, four band, or dual/single band — or, in the case of the d3, one-button access to both compressor and limiter modules. A numeric display area is located below each rotary knob for continuous feedback and also allows numeric entry from the keyboard, if desired. For precise processing, independent input and output level controls and high-resolution Plasma-type meters are also provided. With the d2, offset level adjustment is accommodated by use of the left, right and link controls.
Don't forget that, like other TDM Plug-Ins, you can run multiple d2 and d3 Plug-Ins up to the limits of your available DSP power. This means that, for the price of one Plug-In bundle, you'll have access to multiple Focusrite processors, making this extremely cost effective.
d2 Modeled on the highly acclaimed Red 2 equalizer, 6-band, 4-band, dual-/single-band, stereo or mono modules, EQ curve display supplies visual feedback of parameters, Left/right controls can be adjusted independently, then linked to retain the offset.
Three different mono or stereo modules: 6-band, 4-band, and dual-band/single-band. These versatile configurations provide maximum DSP efficiency
The d2 consists of high- and low-pass filters, high- and low-shelving filters, and high-mid and low-mid peaking filters. Automation features, including Dynamic TDM Plug-In automation
The d2 can be used as an AudioSuite or RTAS* Plug-In for file-based or real-time host processing, allowing DSP power to be allocated to where it is most needed.
d3 Modeled on the highly acclaimed Red 3 Dual Compressor/Limiter
Two separate Plug-In configurations (Compressor+Limiter and Compressor/Limiter), allowing for maximum DSP efficiency in the TDM environment
AudioSuite functionality for file-based processing, allowing DSP power to be allocated to where it is most needed
Support for Pro Tools new MultiShell DSP sharing on Pro Tools|24 MIX and MIXplus systems
Allows audio processing of the Plug-In to be controlled by an external track (Available in d3 AudioSuite with Pro Tools 4.0 or higher; d3 TDM requires Pro Tools 4.1 or higher)
AudioSuite and RTAS* Plug-Ins included. The d3 can be used as an AudioSuite or RTAS Plug-In for file-based or real-time host processing, allowing DSP power to be allocated to where it is most needed
MultiShell II Support: The d3 supports Pro Tools MultiShell DSP sharing on Pro Tools|24 MIX systems
$595 (RTAS, AS, iLok)
System Requirements: Digidesign approved TDM-equipped Pro Tools system running 5.1 software or higher for RTAS support
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GRM TOOLS CLASSIC – www.grmtools.org
Mix Review: The GRM Tools plug-in bundle was created by the Groupe de Recherches Musicales de l'Institut National de l'Audiovisuel (aka, Ina-GRM) in Paris. The bundle consists of 8 mind-warping plug-ins that are the culmination of more than 15 years of R&D.
Installing the GRM Tools bundle is routine. Pop the CD-ROM in your computer and hit Install. All of the plug-ins are installed in the Plug-Ins folder of your DAE folder. You get two weeks to try out the plug-ins before you need to authorize them. Copy protection is by challenge/response. UNIVERSAL CONTROLS
Each plug-in format sports its own GUI look, and every plug-in has its own set of unique parameters, but they also have several common control elements that make the GRM Tools especially powerful for sound design and serious audio morphing tasks, because they allow multiple parameters to be changed simultaneously. There are four elements: a preset bar with 16 individual program keys, a long horizontal fader dubbed a Super Slider, a rate of change control and something that's best described as a 2-D potentiometer. All of these features can be automated in Pro Tools fashion except the 2-D potentiometer.
The preset bar lets you save and load patches to any of its 16 keys. These patches are in addition to the Pro Tools plug-in window's save and load feature. In fact, saving and loading presets through the Pro Tools menu recalls all of the plug-ins' internal patches. The ability to have 16 patches at the click of a mouse without the hassle of pop-up menus is excellent; it really makes group parameter changes quick and easy.
By clicking on a preset bar key, the rate at which the current parameters change to the new parameters can be set from zero to an ample 30 seconds. Interpolation time is adjusted by using an associated vertical fader or by entering a value directly into the text field just below the fader. Set the interpolation time to a value above zero, click on a preset key and watch the plug-ins' parameters morph.
The Super Slider lets you manually control interpolation times between specific presets. Directly above the Super Slider are eight keys that address any of the plug-ins' 16 internal patches, giving you the option of arranging a group of eight patches in any order. By using the Super Slider you can manually morph between the selected presets at any rate, forward or backward — super cool.
The 2-D potentiometer consists of a small square element that you can drag around, vertically and horizontally, in a window. Moving the element lets you change the relative values of two preset parameters. For example, in the Band Pass plug-in, it controls the high and low cutoff frequencies. The parameters that are tied to the potentiometer are usually located directly above or below its window. These parameters can be precisely monitored, because the associated text fields' values change as you move the potentiometer. Automating the potentiometer would be sweet, but because this isn't possible, I found the potentiometer useful mainly as a tool for writing new patches. The potentiometer is found on all of the plug-ins except the Comb Filter and Equalizer.
PLUG-IN LINE UP
All of the plug-ins are available in either mono or stereo versions. The Delay, Doppler, Freezing, Pitch Accum and Shuffling also do mono to stereo. Every plug-in has input gain attenuation, and all but Doppler, Pitch Accum and Shuffling have an output level meter. Though the RTAS and VST versions of the plug-ins have a wet/dry mix control, the TDM plug-ins do not — a major bummer. I hope Ina-GRM fixes this in the near future.
The Comb Filter comes in 1- and 5-band versions. There are frequency, resonance and lowpass parameters. The 5-band version offers five discrete filters for each of the above-mentioned parameters along with a master. Comb Filter is a great plug-in for dramatic filter sweeps and resonant effects. I really enjoyed processing synth pads by automating the effect in time to a beat — great for dance music.
There aren't a lot of parameters on Band Pass, but what's there sounds really good. You get frequency and bandwidth controls, and a key for selecting between either bandpass or band-reject operation. The low and highpass faders have 512 steps, from 23 to 22k Hz, and are excellent for honing in on the desired filter effect. Using the potentiometer to sweep these two parameters at the same time is great fun and perfect for tailoring sounds to picture.
Equalizer is a graphic equalizer and has 23 fixed bands, equally spaced at ⅓-octave bands from 40 to 13k Hz. The Super Slider and Interpolation controls make this plug-in more flexible than your average graphic EQ. The Equalizer Pro Tools Mix|24 version is designated as Equalizer Mix.
There is also a Mix|24 version of Delay, Delay 24. This plug-in offers up to 24 delay lines (the RTAS and VST versions do up to 128 delays — if your computer has the processing power, of course), and there are several unique control parameters. You can adjust the number, distribution (how the delays cluster) and amplitude envelope of the delays. The potentiometer controls the delays' ranges (0 to 683 ms) and when the first delay is heard (out to 683 ms). There is the ubiquitous feedback parameter and a fader to introduce random variations in the delay lines. Below the potentiometer is a discrete window that shows exactly how the delays are falling; it's very useful for visualizing the outcome of your tweaks. If delay lines are your thing, then Delay 24 can help with many of your more creative jobs.
There's nothing quite like Doppler to simulate a sound moving through space. As its name implies, this plug-in allows you to create a Doppler effect — it's quite convincing. You can control the sound's passing speed, amplitude change and pitch change for that perfect drive-by every time. Additionally, radical movements can be cooked up, including rotating a sound around a central position and simultaneously moving it through the stereo field. (Imagine a fly buzzing around your head as you run madly away trying to escape it.) The potentiometer gives you manual control over the sound's position in the stereo field on X and Y axes. Automate this plug-in's parameters and pop on some headphones for a real trip.
Freeze is probably Ina-GRM's best-known plug-in, most likely for its extreme sound mangling capabilities. You can sample up to 99 ms, select a loop from the sample and have as many as eight loops going at once. (In the RTAS and VST versions, you can grab up to 3 seconds and have as many as 32 loops.) Parameters include synchronizing loop playback, pitch change and randomizing pitch and loop duration. The potentiometer in Freeze is a wonderful tool to adjust loop start and end points. But don't think Freeze is a typical loop playback machine; individual loops are not adjustable. For example, when you choose a number of loops to work with, they are all on at once, that's it. Freeze's tuning and randomizing parameters are what create the complex and off-beat layered sounds it's known for. This plug-in is a difficult fit for musical applications, but makes crafting sound effects a piece of cake.
Initially, Shuffling sounds similar to Freeze. But instead of looping a section of the audio, Shuffling plays fragments (up to 683 ms, or 2937 ms with the RTAS and VST formats) of the source track. There is control over the duration, pitch, delay before playback and how often the fragments play. A simple amplitude envelope can be superimposed on the fragments, and feedback is also available. At its extremes, Shuffling sounds like a random stereo gate with a wildly pitch-shifting source to really nasty radio static. This plug-in is another shoe-in for the audio mutilation awards.
The Pitch Accum is like a harmonizer on LSD. With two discrete pitch shifters, it's possible to cook up some decent harmony parts. You can transpose up or down 24 semitones, there are periodic and random modulation parameters, and harmony parts can be delayed up to 671 ms. And much stranger sounds can be concocted. Using the feedback, feedback mix, and a transposed sound's duration and blend parameters, a vocal performance is easily turned into an out-of-control, sci-fi phaser battle. While I wasn't blown away by the quality of Pitch Accum's harmony parts, they can work with the right track. This plug-in's bizarre effect possibilities are the real attention grabbers.
There are a ton of wonderful sonic possibilities with the GRM Tools bundle. And the plug-in's unique controls really help get the most out of these processors. Bear in mind that all these neat effects do come at a heavy DSP cost. A single instance for most of these plug-ins eats up 50 to 100% of one Mix DSP chip. Got power? You'll need it if you start stacking up Delay 24 and Shuffling plug-ins.
Looking at how much other TDM bundles with multiple plug-ins cost makes you realize what an outstanding value the GRM Tools bundle is. However, if what you are looking for is a bundle of work — a day-to-day, utility-type plug-in — then the GRM Tools pack probably isn't for you. There are a lot of very creative plug-ins that are the cat's meow for sound design and dance music production, but these plug-ins won't get you through a basic tracking session. Reserve the GRM Tools plug-ins for when you really want to expand your sonic palette, and you won't be disappointed.
The GRM Tools TDM and RTAS bundles are distributed by Electronic Music Foundation, 116 North Lake Ave., Albany, NY 12206; 888/749-9998; fax 518/434-4110; www.grmtools.org.
$349 (RTAS)/ FREE DEMO http://www.grmtools.org/downloads.html
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JOE MEEK BUNDLE SC2 & VC5 3.0 48k VALUE EDITION - www.bombfactory.com
Includes the SC2 & VC5 compressor and equalizer.
Legendary producer Joe Meek used to say: "If it sounds right, it is right." His masterful use of non-linear, sometimes severe compression defined his sound. The JOEMEEK SC2 is designed purely as an effects compressor. It changes the clarity, balance and even rhythmic feel of music--giving your tracks an undeniable edge!
The VC5 version is an equalizer.
Among countless other achievements, Joe Meek built custom gear to get the sounds in his head onto tape. The JOEMEEK Meequalizer re-creates the exact equalizer circuit used by Joe Meek. Try it on mono or stereo tracks!
$224.10 for the the bundle (RTAS, AS, iLok)

JOE MEEK BUNDLE SC2 & VC5 3.0 96khz HIGH DEFINITION
$339.15 for the the bundle (RTAS, AS, iLok)
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KANTOS 1.0 - www.antarestech.com
Audio Controlled Synth. From the company that revolutionized vocal intonation processing comes kantos 1.0, a software-based synthesizer that finally liberates you from the tyranny of MIDI, keyboards, controllers or, in fact, anything that stands between you and the music you hear in your mind. Whether you are looking for an alternative to conventional controllers, or are looking to produce electronic music with a level of dynamic expression that's simply not otherwise possible.
$269 (RTAS)- Download Demo http://www.antarestech.com/download/demoform.shtml
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MAXIM –http://www.digidesign.com/products/d...roduct_id=1052
Peak limiting and Sound Level Maximizer
If you mix in Pro Tools and want your final audio tracks to have that professionally mastered sheen, add Maxim to your list of "must have" plug-ins. More than just a world-class peak limiter, Maxim optimizes the overall level of the audio input while preserving the integrity of the original sound. Although Maxim is ideally suited to the stereo master of a mix, it's flexible enough to be used as a dynamics processor on any channel in the Pro Tools mixing environment.
$445 (RTAS, AS, iLok)
System Requirements: Digidesign approved Pro Tools system running 4.1.1 software (or higher). Windows 98, ME, XP
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MOOGERFOOGER BUNDLE 3.0 48khz VALUE EDITION- https://www.bombfactory.net/store/De...spx?page=value
Value Edition Version support up to 48khz
It includes:
Moogerfooger 12 - Stage Phaser
Moogerfooger Analog Delay
Moogerfooger Lowpass Filter
Moogerfooger Ring Modulation
$359.10 (RTAS, AS, iLok)

MOOGERFOOGER BUNDLE 3.0 96khz HIGH DEFINITION
High Definition Versions support up to 96khz
$509.15 (RTAS, AS, iLok)
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MOOG MODULAR V - www.arturia.com/en/moogmodular.lasso
Moog Synth Emulation. TAE, True Analog Emulation, is a new technology developed by Arturia, enabling the digital reproduction of analog circuits. The implementation of TAE in Moog Modular V results in:
aliasing-free oscillators, at no extra CPU cost. Better reproduction of analog oscillators: the condensers' unload and the oscillators'. Instability are simulated, helping to reproduce a typical warm sound. Very accurate reproduction of the legendary Moog 24 dB low-pass filter. Implementation of soft clipping, i.e. reproduction of the filters' current limiting function.
$329(RTAS) / Download Demo http://www.arturia.com/en/demos.lasso
Listen To Samples www.arturia.com/en/mmsamplesongs.lasso
System Requirements: Pentium II 500 MHz, 128 MB of RAM, Windows 9x/2000/ME/XP
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NO NOISE - http://www.digidesign.com/products/d...roduct_id=3180
Powerful Noise Reduction/Audio Restoration Plug-in Suite. Tool for restoring audio recordings. Its advanced processes isolate and eliminate audio artifacts such as hiss, scratches, hum, and mechanical and impulsive noise. NoNOISE is not a single process or software module, but a set of powerful tools to remove bothersome noise without damage to the program material. NoNOISE can be used to restore old recordings, remove unwanted noises from field recordings, and repair audio materials that have suffered damage.
Sonic Solutions' significant presence in the mastering and re-mastering world bears witness to the quality of their NoNOISE technology. The NoNOISE plug-in suite offers the same value as its far higher-priced SonicStudio counterpart by faithfully capturing the actual audio algorithms and algorithmic parameters found in the SonicStudio version.
Maximum Supported Sample Rate: 192 kHz
$1995 (AS, iLok)
Upgrade from Digidesign DINR to NO NOISE just $995
System Requirements: Support only the Windows XP version.
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PITCH 'n' TIME – www.serato.com
Time Stretching and Pitch Shifting
Serato Pitch 'n Time is a high quality time-stretching and pitch-shifting AudioSuite software plug-in for the Pro Tools platform. Serato Pitch 'n Time offers time compression and expansion from a ratio of 1/8 speed through to 8 x speed independent of pitch, and pitch shifting of up to 36 semitones independent of tempo.
The time-stretching and pitch-shifting functions each have three interchangeable panels, ranging from simple fixed ratios to complex tempo and pitch alterations that vary over time. You can even warp the timing of your samples just by placing markers and moving them around.
The tempo and pitch panels can be mixed and matched to suit your application, with real time previewing.
$799 (AS, iLok)
Update to vers. 2.2.1 is here (you also can try it) http://www.serato.com/products/pnt/download/
Listen to samples: http://www.serato.com/products/pnt/examples/
System Requirements: Support all versions of Pro Tools (4.0 and higher) including Pro Tools free on the Mac and PC.
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PULTECH EQP-1A ver 3.0 48k VALUE EDITION - http://www.bombfactory.com/products/pultec/
The Pultec EQP-1A provides smooth, sweet EQ and an extremely high-quality tube audio signal path.
And like most studio classics, it's incredibly easy to use. Grab a knob, give it a twist, and it just sounds great. Every time.
Bomb Factory's award-winning digital modeling expertise--combined with our pro studio engineering chops--delivers the sounds you know and love.
Use it anywhere you'd use the original: on individual tracks, critical vocals, or even across a stereo mix for mastering applications.
$224.10 (RTAS, AS, iLok) / Download Demo http://www.bombfactory.com/products/pultec/

PULTECH EQP-1A ver 3.0 96khz HIGH DEFINITION
$339.15 (RTAS, AS, iLok) / Download Demo http://www.bombfactory.com/products/pultec/
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SAMPLETANK SE – www.sampletank.com
Sound Module Plug-ins
Bundled Free with DIGI002
DIGI002 users update your Sampletank here: https://www.ikstore.com/Login/IKLogin.cgi
If you like to grab a free copy of Sampletank go here: http://www.sampletank.com/Main.html?STFreeDwn
System Requirements: A Digidesign® qualified Intel Pentium® III or IV or AMD Athlon systems running Pro Tools®|24 MIX™, Pro Tools®|24 MIX Plus™, Pro Tools®|24 Mix (with Pro Tools™ software 5.3.1 or later), Pro Tools |HD (with Pro Tools software 5.3.1 or later), ProTools® LE with Digi 001™ or 002™ (with Pro Tools™ software 5.3.1 or later).

SampleTank® 1.1 RTAS XL Plug-In. 450 sounds (4 CDs). (ST-110-XED-IN) $499
SampleTank® 1.1 RTAS L Plug-In. 200 sounds (2 CDs). (ST-110-LED-IN) $279
UPGRADE! SampleTank® 1.1 from L to XL. For registered users of SampleTank® L (ST-110-ULD-IN) $219
UPGRADE! SampleTank® 1.1 from LE to XL. For registered users of SampleTank® LE (ST-110-UXL-IN) $399
UPGRADE! SampleTank® 1.1 from LE to L. For registered users of SampleTank® LE (ST-110-ULL-IN) $199

SAMPLETANK SOUND MODULES – www.sampletank.com
Sample-based Plug-ins. These sounds libraries below they are not included in Sampletank L or XL.

Sound Modules Series Vol. 1 (9 CDs)
Includes: Brit Horns (AMG), Loop Soup (AMG), AXE' (IK), Trance Grid (IK), Earth Beat (IK), Mellozone (Masterbits), Vintage Voltage(Masterbits), Omni Synth (SonicReality) and Symphony Strings (SonicReality).
(ST-BOX01-HCD-IN) not yet available, PRE-ORDER only! $739
Brit Horns (AMG)Multisamples Includes: SampleTank® LE. (ST-AMG01-HCD-IN) $119
Loop Soup! (AMG)Drum Loops. Includes: SampleTank® LE. (ST-AMG02-HCD-IN)
Not yet available, PRE-ORDER only! $119
Terminal Head Vol. I (AMG)Dance Samples and Loops Includes: SampleTank® LE. (ST-AMG03-HCD-IN) $119
Tony Mason (AMG)Drum Loops. Includes: SampleTank® LE. (ST-AMG04-HCD-IN) $119
AXE'(IK)Percussion Loops. Includes: SampleTank® LE. (ST-IK03-HCD-IN) $99
Trance Grid (IK)Dance Loops Includes: SampleTank® LE. (ST-IK01-HCD-IN) $99
Mello Zone ST (MASTERBITS) Includes: SampleTank® LE. (ST-MB01-HCD-IN) $99
Vintage Voltage ST (MASTERBITS) Includes: SampleTank® LE. (ST-MB02-HCD-IN) $99
Sonic Synth (Sonic Reality/eSoundZ) Includes: SampleTank® LE. (ST-SR06-HCD-IN) $299
Omni Synth (Sonic Reality/eSoundZ) Includes: SampleTank® LE. (ST-SR05-HCD-IN) $129
Acoustic Drums (Sonic Reality/eSoundZ)Drum Loops. Includes: SampleTank® LE. (ST-SR07-HCD-IN) $99
Bass Collection (Sonic Reality/eSoundZ) Includes: SampleTank® LE. (ST-SR08-HCD-IN) $99
Guitar Collection (Sonic Reality/eSoundZ)Includes: SampleTank® LE. (ST-SR01-HCD-IN)$79
Piano Collection (Sonic Reality/eSoundZ)Includes: SampleTank® LE. (ST-SR04-HCD-IN) $79
Symphony Strings (Sonic Reality/eSoundZ)Includes: SampleTank® LE. (ST-SR03-HCD-IN) $79
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SANS AMP PSA-1 ver 3.0 48k VALUE EDITION - http://www.bombfactory.com/products/sans/ Tube Amp Rigs
$224.10 (RTAS, AS, iLok) - DEMO http://www.bombfactory.com/products/sans/

SANS AMP PSA-1 ver 3.0 96khz HIGH DEFINITION -http://www.bombfactory.com/products/sans/
$339.15 (RTAS, AS, iLok) - DEMO http://www.bombfactory.com/products/sans/
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SCRATCH STUDIO EDITION – www.serato.com
Real Time Turntable or mouse controlled scratching
$299 (RTAS, iLok)/ Download Demo http://www.serato.com/products/scratchse/
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SONY OXFORD INFLATOR- http://www.sonyoxford.co.uk/pub/plugins-sony/home.html
The Inflator is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal.
$450 (RTAS)
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SOUND REPLACER - www.digidesign.com
Drum Hit and Sound Replacement Plug-in
$395 (AS, iLok)
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SPEED - www.wavemechanics.com/Speed.html
Time Compression, Pitch Modification
SPEED Fact Sheet:
Have you ever wanted to use a loop recorded at 100 BPM in a song that's at 120 BPM? Have you ever needed to transpose an entire mix to a new key? If you've tried to do any of these things with existing tools on the market, you've probably experienced the mix-shredding results that conventional pitch change and time compression technology produce when confronted with anything more complicated than an isolated vocal or instrumental part.
After intensive research and development, Wave Mechanics has now solved these problems, and has built this technology into their newest DSP plug-in for the ProTools platform – SPEED.
With SPEED, the power to transform tempo and pitch of almost any source imaginable is now at your fingertips, with unprecedented ease-of-use and unparalleled audio quality. SPEED uses an entirely new approach to time and pitch modification that now makes it possible to transform single instruments and even entire mixes without the distortion that is usually introduced by these processes. Even stereo mixes can be processed with perfect phase alignment. Whether it's squeezing a 35-second commercial into a 30-second spot, matching the tempo of a rhythmic loop, or transposing an entire mix, SPEED is the ultimate tool for time and pitch modification.
SPEED is now available as a plug-in for Pro Tools, Digi-001, and any other system that supports the Digidesign AudioSuite plug-in format. For more information about SPEED, click here. Download a fully functioning version of SPEED right here and try it risk- free for 30 days! http://www.wavemechanics.com/download.html
Speed Specifications:
Tempo Modification Range................50 to 200 percent
Pitch Modification Range...................-1200 to 1200 cents

Plug-In Format
Requires Digidesign AudioSuite Compatible audio system. Compatible with Pro Tools TDM systems and Digi-001 systems.
$495. (AS, iLok) Also available as part of the UltraTools 2.3 bundle. In this bundle of plug-ins, Speed it is the only one compatible for Pro Tools LE. The rest of the bundle is for TDM systems.
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STUDIO COLLECTION BUNDLE – http://www.nativeinstruments.de/inde...ocollection_us
Includes:
PRO-52- Emulation of Prophet 5.
The Pro-52 carries on the tradition from the legendary days of vintage cult synthesizers. This virtual instrument, fashioned after the Sequential Circuits™ Prophet™-5, combines the sonic properties of the unique originals with the practical requirements of the present day.
Inspired by the immortal sound of the synthesizer giants of the eighties, Native Instruments created the Pro-52, to cast in software those qualities which have been a major influence on popular music in the past twenty years: brilliance, power, warmth and beauty. Through Native Instruments' creative developement philosophy, these timeless aesthetics have now reached the next step in their evolution. The result is the manifest re-definition of an original which was regarded as unrivalled until now.
It is now possible for the first time to generate a software synthesizer which is an equal to its legendary hardware predecessors. The Native Instruments Pro-52 sets new standards without denying its origins. This is new: No fixed limit to the number of voices, many times more preset memories, velocity sensitivity, automation of all available parameters and the option to run several Pro-52's in parallel.
Sounds for any eventuality
The Pro-52 is able to import Prophet-5™ SysEx sound data, which means it can read and accurately reproduce all the existing sound libraries made for the original. The subtle deviations from perfect behaviour which are typical of analog circuits and crucial to the sound, can now be fine-tuned.
The huge sound library gives the Pro-52 plenty of material for all kinds of musical styles: 512 selected classic analog sounds cover any eventuality. 50 of these sounds were specially programmed for the Pro-52 by synthesizer legend John Bowen, one of the creators of the Prophet™-5 synthesizer. 512 preset memories are available where you can store your own sound creations. The Pro-52 displays a name for each of the presets, unlike the original which only displayed the preset number.
A built-in effects unit adds multi-echo and ultra-fat chorus and flanging effects. This makes the sound of the Pro-52 'complete' for both live performance and studio production. The included preset sounds make extensive use of the effects. The Pro-52 also has an audio input, for processing external audio signals through its filters.
Pro-52 - Electrix™ Soundset. After registering your STUDIO COLLECTION you can download with your password and username the Easy Sounds Electrix™ soundset, which offers 64 new sounds for the Pro-52. The sound set was created by Peter Krischker and provides sequencer sounds, pads, sweeps, effects, basses and lead sounds. It is suitable for musical styles like Trance, Electro, Techno, Ambient and Pop. Electrix™ supports the new features of the Pro-52, for example the echo, chorus and flanging effects and the unison mode.
B4 – Emulation of Hammond B4.
Unlike a sample-based instrument, the NI B4 accurately models such subtle details as harmonic foldback, drawbar crosstalk and loudness robbing. The result is a warm and powerful sound over the entire range of the keyboard, complete with the subtle tonal shades that improve both playability and musicality.
The B4 is capable of all the variations one expects from this type of organ, and is suitable for any flavor of music, be it Rock, Jazz or House. A "rear panel" gives access to numerous adjustment parameters, which allow the sound to be tailored for particular applications. You can even use the B4 to process other sounds. Just plug it in as an Insert Effect and apply any combination of Scanner Vibrato, Tube Overdrive and Rotating Speaker effect to your audio tracks.
With an attractive and easy-to-use graphical user interface, this promises to be another must-have for anybody producing music on the computer. Tonewheels have never been this portable or this affordable.
New sounds by replacing the tonewheels Organ transplants. Impossible with hardware: A new software extension for the B4 allows the exchange of the 91 Tonewheels and the transformation of the B4 into a Vox Continental, Farsifa or an Indian Harmonium. Additionally, the new Tonewheel-Sets permit the master-tuning to be altered, and to “age” the sound in six different levels, from “well matured” to “far beyond repair.”
The Tonewheel Set Vintage Collection is included in the Studio Collection.
BATTERY – Sampler Plug-in for Drums.
It boasts separate sound parameters for 54 Instruments, powerful modulation capabilities and an unbeatable ease of use. BATTERY is fast, effective, intelligent and convenient. It has sample-accurate timing, internal 32-bit resolution, up to 128 velocity layers per instrument and can play samples at any pitch - BATTERY fulfills even the highest demands regarding precision, sound quality and flexibility. BATTERY has access to all the biggest sound libraries because it is compatible with the formats AKAI, SF2, LM4, AIFF, WAV and MAP. Also, more than 30 high quality soundsets (590 MB) are already included on a second CD.
Instruments and Samples. BATTERY can play 54 instruments at a time. The matrix and it's intuitive drag & drop functionality are a big time saver when arranging samples. Sounds from different soundsets can be easily compared and combined into new soundsets without the hassle of readjusting any parameters.
Each instrument offers a complete set of sound parameters and can use up to 128 velocity-switchable sample layers. Samples may be loaded into the matrix by drag&drop from the desktop or using a dialog box with automatic sample preview function. BATTERY accepts samples of any resolution from 8 to 32 bits, and reads the formats AKAI, SF2, AIFF, WAV and MAP. Up to three banks in LM4 format can be imported and used at a time, AKAI sounds can be read directly from CD.
Sound Shaping. Each of the 54 instruments offers a volume envelope (AHDSR), a pitch envelope (DBD), a bit reduction effect and a shaper for controlling the dynamics (like a compressor/expander combination). All parameter adjustments are calculated and visualized in the wave display in realtime. Each instrument receives MIDI data on a selected MIDI channel and the pitch can be transposed according to the MIDI notes if desired - useful for basses, for example. Every instrument boasts six modulation inputs for which many useful and drum-oriented settings have already been configured as presets
FX Loop. Each instrument has an FX Loop that can be activated to repeat a chosen area of the sample a given number of times. This is very useful for creating modern and innovative rhythmic sound effects, akin to extreme time stretching or granular synthesis.
$695 (RTAS, AS)
If you already own B4, PRO-52 or BATTERY you can get a $100 discount for each of the three products you have.
If you need updates for the Studio Collection and DIGI002 go here http://www.nativeinstruments.de/inde...ocollupdate_us
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SURROUND SCOPE – www.digidesign.com
Multi-channel Metering
$295 (RTAS, iLok)
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TEL-RAY VARIABLE DELAY 3.0 48K VALUE EDITION - http://www.bombfactory.com/products/telray/
The Tel-Ray Variable Delay provides lush delay, amazing echo, and warms up your tracks and mixes.
The technology that gives Tel-Ray its unique sound was licensed by most every major guitar amp manufacturer!
$116.10 (RTAS, AS, iLok)/ Download Demo http://www.bombfactory.com/products/telray/

TEL-RAY VARIABLE DELAY 3.0 96Khz HIGH DEFINITION
$211.65 (RTAS, AS, iLok)/ Download Demo http://www.bombfactory.com/products/telray/
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TUBE - www.antarestech.com
Modeled Analog Tube Effects Plug-in.
Choose our heavenly blue tube to add the warmth of a classic tube preamp to vocals, acoustic guitar, horns, strings, synth pads, in fact pretty much anything. The Drive control lets you select the degree of dynamic saturation. Or engage OmniTube to add subtle body to the entire signal.
Give in to the temptation of our fiery orange tube and ignite your tracks with the deep, warm distortion of an overdriven tube amplifier. Use it in moderation to impart a subtle (or not-so-subtle) effect to almost any track. Or crank it up on electric guitar, bass, synths, even voice.
In addition to the tube models, Tube includes a unique OmniTube function. Without OmniTube engaged, Tube functions exactly like a tube preamp, i.e., only the regions of the input signal that exceed the clipping level (typically transients) are affected and all other regions are passed with no change. With OmniTube on, a compressor is inserted into the signal path before the tube model. This compressor is set to compress the signal and then apply sufficient makeup gain to ensure that Tube's Drive control can drive the entire signal above the clipping level. After the tube effect is applied to the entire signal, an inverse gain function restores the signal's original dynamics.
$129 (RTAS)Download Demo http://www.antarestech.com/download/demoform.shtml System Requirements: A PC running Win 98, ME, NT, 2000, or XP (as required by your host program). Note: Digidesign Pro Tools does not support the Celeron processor. Therefore Tube is not guaranteed to function correctly in Pro Tools on a Celeron-based PC.
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VocALign PROJECT - www.synchroarts.com
VocALign® is the unique audio software solution for music and audio post that will adjust the timing of one audio signal to match the timing of another. Align: Lead vocal doubles, Backing vocals, Instrumental tracks, ADR (replacement dialog tracks)
$299 (AS)/ Download Demo http://www.synchroarts.com/downloads...ocalign&IDI=AS
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VOCE SPIN & CHORUS/VIBRATO 3.0 48k VALUE EDITION - http://www.bombfactory.com/products/voce/
Simulation of Rotating Speaker,Recreate B3 Vibrato
Voce Spin provides the most-accurate simulation of the well-loved rotating speaker. It's a favorite of producers, guitari

[j20056]

you're missing all the Bomb Factory plugins.

[BigRedButton]

Great list. Should be a "Sticky" for sure.

You also forgot Tube by Antares.

Nice job!

[Antonio Tarantino]

Thank You guys. I'll post them soon.
I also I'm going to include the prices.

Ciao,
Antonio Tarantino

[Esteban WB]

Cool, Antonio! This is handy.

[dodo]

You also forgot the Autofeel plugin. [img]images/icons/grin.gif[/img]

[kmshroom]

and;
Digidesign - D-Fx
Digideisgn - Sound Replacer
Digidesign - DINR
Wave Mechanics - SPEED
Waves - Rennaissance MAXX
Synchro Arts - VocALign Project

and someone on another topic said the Sony Oxford plug-ins will be available soon.

[kmshroom]

and don't forget;

Sonic Solutions - NoNOISE
Serato - Pitch 'n Time

[fartation]

Applid acoustic system's Tassman and Lounge
Lizard are not listed on their website as
supporting RTAS.

[kmshroom]

do you not count AudioSuite as plug ins? i mean, almost every RTAS plugin is also an AudioSuite plugin too, and i dunno bout you, but i do use AudioSuite plug-ins...

and y'all realize that digidesign already has this info on their website. go to www.digidesign.com, then the Developers tab, then click Plug-in Info, then click Digi 001 (or 002 or M-Box or whatever) Plug-ins, then specify OS = WinXP, then click Find Plugins, and there you have it, a list of every plug-in available for Pro Tools LE on Win XP. with all the prices. and also if they are iLok authorizations or not. and with short descriptions of each with screenshots. and links to the company of the particular plugins website.