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Ingest Workflows? What\'s everyone doing for QT?
Hello Everyone,
This is my first post on the DUC and I'm very excited to be a part of the group! I'm curious what everyone is doing for their quicktime ingest workflow. I've seen many different methods including using a second monitor and video breakout boxes. I'm especially interested in the possibilities working with the Mojo. Anyone have suggestions or case studies? Thanks again! Zach Seivers Zach Seivers Sound Services |
#2
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Re: Ingest Workflows? What\'s everyone doing for QT?
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There are a thousand different ways.... Some people use the canopus ADVC-110, Others use Mojo, while still others use Virtual VTR, etc. My preference would be to use VVTR, since that removes the workload from the computer...depends on your needs. Mojo looks great, but if your overall workflow is Final Cut Pro based, then perhaps it isn't a great choice. What I would suggest is for you to tell us what your setup, workflow, and budget are because then people can recommend a workflow based on experience. -Todd A. |
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Re: Ingest Workflows? What\'s everyone doing for QT?
Thanks for the quick response Todd!
My budget is probably going to be under $2000 and I currently work with Avid editors on EPK and TV spots. So, the turnaround is very quick and right now our method is to render a QT in the Avid and I have a Panasonic plasma that I use as a second monitor. I haven't had any sync problems, although I've heard to watch out for that. The system works fine for what we are doing with the exception of the time it takes to render QT mixdowns. They are also, very often, sending me 15:1 media, which looks pretty horrible. Sometimes, when we QC, they will take the time to output 1:1 quality QTs. But when we are busy, it's simply not possible due to the amount of time it takes. They are considering changing the workflow so that the editor will simply output to a digibeta, in real time of course, and then ingest that media into a FCP station. The capture scratch will then contain a DV QT which I can then import into Pro Tools directly. I'm not sure how much time this will actually save. And, it seems like it opens up a can of worms in trying to maintain sync. Anyway, I suppose it's a multipart question. One would say how do you get the media into QT form? And then how are you going to play it back? Personally, I'm comfortable with my current method of playback as I'm not experiencing any system performance issues. I'm more concerned with how to get the video from Avid into my machine. Any help you guys can provide would be awesome! Thanks, Zach Seivers Zach Seivers Sound Services |
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Re: Ingest Workflows? What\'s everyone doing for QT?
Hi,
FWIW, we get a DVCAM output from the pix department and load it (realtime, obviously) into Virtual VTR. Works great, looks at least as good as what's in the Avid, and can be loaded exactly as we need it, eliminating the "oops, wrong codec" or "I just gave you a low-rez, 'cause the high-rez seemed too big" problems. Good luck! Joe |
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Re: Ingest Workflows? What\'s everyone doing for QT?
I took the Digidesign Post course last April and it seems most studios using Avid and PT HD are using the Mojo.
Regards, Bruce
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Puget Sound Studios Post Production & Mastering Bruce A. Brown Issaquah, WA 98027 |
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Re: Ingest Workflows? What\'s everyone doing for QT?
hey Bruce, nice name for your company!
I'm from Seattle, and nobody down here can pronounce "Puget". But then, they'd have a hell of a time w/ Issaquah or Puyallup too:) Joe |
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Re: Ingest Workflows? What\'s everyone doing for QT?
I am using mojo; but I am a former canopus user. I mixed on a stage with VVTR, and it was pretty painless, but that is my only experience with it, and we had techs dealing with the ingest; so I didn't get a hands on. I have to say that with 7.2, mojo is the way to go if you are under a tight deadline; especially if you are working with avid picture. If you are not going through picture changes very often, and ingesting a 90+ minute program that will not change daily, then VVTR or other dependable "outside of the box" solution is the obvious choice since it takes so much load off the PT computers. I would recommend canopus, but once I upgraded to mojo; I started to really feel sync. I don't know how to explain it, but the DV boxes feel a bit "sloshy", especially when looping a section. Also, the ability to capture to the timeline while genlocked takes away some of the paranoia I get with other ingest procedures.
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Re: Ingest Workflows? What\'s everyone doing for QT
i use VVTR and love it. initial setup can seem a little confusing, but once you got it, it is pretty fantastic! ingest is quite easy. you can play any format that your card will allow...even uncompressed (if you have the setup). i can even play animation codec. i can switch between jobs in less than a minute. any frame rate. HD (if you have the hardware). you can use any video card you chose: decklink, aja, aurora.... multiple movies in your bin. takes ZERO processing off of your DAW cpu. doesn't take a PCI card. scrubbing is tight... la, la, la...
for an AVID workflow, mojo seems to make sense. and with 7.2 (and beyond) mojo makes more sense. you do need to use a dedicated FW port and/or a PCI-FW card and it does take processing power off of the DAW cpu... VVTR is restricted to Quicktime movies. nothing is perfect.
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Tom Hambleton CAS Ministry of Fancy Noises IMDb Undertone on Facebook Undertone Custom Sound Libraries "Groupable markers would be epochal!" -Starcrash |
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Re: Ingest Workflows? What\'s everyone doing for QT
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Re: Ingest Workflows? What\'s everyone doing for QT
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Apparently Directors really appreciate the difference between 24p (as HD 1080p) and 3:2-interlaced-NTSC projection. Even though the raw content is the same, avoiding the 3:2 and interlace makes a huge difference. |
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