|
Avid Pro Audio CommunityHow to Join & Post • Community Terms of Use • Help Us Help YouKnowledge Base Search • Community Search • Learn & Support |
#41
|
||||
|
||||
Re: iZotope RX5
Quote:
Ambience Match baking itself into all of the audio is a choice, you can put the ambience on another track. CAF is a container for storing and transporting digital audio data. Just as AC3, and Dolby E. It "contains" WAV or AIFF. Not created to be edited.
__________________
IMDB |
#42
|
|||
|
|||
Re: iZotope RX5
Hey folks, I just did the upgrade from RX4 ADV to 5 ADV...I live in this app every episode since we're often out in the wilds of LA. Had some truly nasty sh++t in this new episode...Hollywood BLVD is the worst but many other locales are awful as usual. Thought now would be as good a time as any esp with the slight discount to do the upgrade. Anywho one of my colleagues said that RX5 would let us have handles if we sent it to the App and Spectral Repair (for example)...but I found that to not be the case. Is this wrong info or am I missing something...I certainly didn't see any options like that in the app? Seems to be the same as RX4.
__________________
My day job: Wilson Dyer MPSE Sound Supervisor: NCIS Los Angeles, CBS Television |
#43
|
|||
|
|||
Re: iZotope RX5
Yes that's right - it's just exactly the same as RX4 in that way. My point is that the AAX plugin is a missed opportunity to really improve our workflow. The quick method demonstrated in the Pro Tools Expert walkthrough (and the way that you're "supposed" to work with it) is unsatisfactory imo.
__________________
Guy Rowland www.guyrowland.co.uk www.sound-on-screen.com - Original audio clips of movies, TV shows and games, licensed as regular production music. PT 2024 Ultimate; W11 Pro; Ryzen 9 7900; 64gb RAM; RME Babyface; UAD Quad Satellite USB; GTX 1050i Macbook Air M2; 24gb RAM |
#44
|
|||
|
|||
Re: iZotope RX5
Quote:
__________________
Guy Rowland www.guyrowland.co.uk www.sound-on-screen.com - Original audio clips of movies, TV shows and games, licensed as regular production music. PT 2024 Ultimate; W11 Pro; Ryzen 9 7900; 64gb RAM; RME Babyface; UAD Quad Satellite USB; GTX 1050i Macbook Air M2; 24gb RAM |
#45
|
|||
|
|||
Re: iZotope RX5
Quote:
it doesn't just contain WAV or AIFF. they have un upper limit of about 4gb I believe. The CAF was created to circumvent those limitations, plus it can optionally include other types of data including AIF or WAV if it were prudent. CAF is a new open source format created with the future in mind. It could contain video or plugin information, etc. There's information on the Apple Dev site about the format Quote:
|
#46
|
||||
|
||||
Re: iZotope RX5
Quote:
https://www.izotope.com/support/kb/i...ools_11.3.1-12
__________________
IMDB |
#47
|
||||
|
||||
Re: iZotope RX5
Quote:
__________________
IMDB |
#48
|
|||
|
|||
Re: iZotope RX5
OK I'm on 11.3.2 HD so I'll look for this option which I'm used to with the RX audio suite collection...which I use for most of the NR stuff. Sadly when trying to beat down Hollywood BLvd at night or even in the daytime with busses and heavy trucks passing by, I wasn't completely happy with all the results so some ADR will be in order.
THX for the RX app heads up on this...I use Spectral Repair for painting out birds, sirens, backup beeps, brake squeal all sorts of noise pollution that we used to just live with, so handles will help a bunch when sending to and back.
__________________
My day job: Wilson Dyer MPSE Sound Supervisor: NCIS Los Angeles, CBS Television |
#49
|
|||
|
|||
Re: iZotope RX5
RX isn't a fix all for every problem. But it sure does some great things for a lot of difficult dialogue situations.
The Ambience Match as a standalone plug in seems like it still has some kinks to work out. I never "bake" it into the file, but treat is as its own fill track (output ambience only) and massage it in myself. All the parameters you can mess with in the AAX, I have much easier control of in the track (fade, clip gain, etc.) The problem I have seen with it is sometimes the ambience it "learns" is WAY too low and definitely not the right noise profile. I can learn a piece of audio in the standalone, then send the exact same piece from RX Connect, learn it in the native Ambience Match and its way better. Figured they'd operate exactly the same, but RX Connect is treating it differently or seeing it differently somehow. I've almost abandoned Dialogue Denoiser completely for the new Deconstruct in RX5. I need to delve into the difference between the two, because Deconstruct seems to do the things I WANT Dialogue Denoiser to do. Speaking of... anyone have tips for removing that nasty high end static from LAV mics?
__________________
MacBook Pro: Retina, 15", Mid 2014 Processor: 2.5 GHz Intel Core i7 Memory: 16GB 1600 MHz DDR3 OS: 10.12.5 PT: 12.8 HD - no interface. headphones and ilok. |
#50
|
|||
|
|||
Re: iZotope RX5
Quote:
1) They do operate in exactly the same manner, but you may be experiencing an issue with Pro Tools, which adds dither to fades than can cause issues, as our algorithm will now see the dither noise as ambience. Here's more information, and suggested workarounds https://www.izotope.com/en/products/...pair/rx/faq/#9 2) They are very different. Deconstruct will attenuate/boost all tonal, or all noisy elements in a signal. De-noise, which separates signal from noise based purely on amplitude, Deconstruct analyzes the harmonic structure of a signal independently of level. It does not matter if a tonal signal like hum is quiet or prominent in a signal. Deconstruct will always consider it tonal and adjust its gain accordingly. De-noise seeks to establish a noise profile, which may actually include both tonal and noisy information, and reduce that noise, leaving behind desirable signal, which likely also includes tonal and noisy information. If you process Dialogue De-noise in Auto mode and a reduction of 12 dB, full bandwidth across an audio file, and then compare the results of that, with the results of Deconstruct's Noisy slider set to -12 dB, the differences should become more clear. Deconstruct is useful for removing distortion artifacts, breathiness on wind instruments, metronomes or key clicks in certain musical recordings, and time variable wear (changing noise on a warped record), and a whole lot more. 3) Sometimes, a combination of Deconstruct, Dialogue De-noise and De-crackle, limited bandwidth on the high end, can help. |
Thread Tools | Search this Thread |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Thread Starter | Forum | Replies | Last Post |
Izotope RX3 Now Available | nst7 | Post - Surround - Video | 48 | 09-19-2013 08:18 PM |
Izotope RX3 Now Available | nst7 | AAX Plug-ins | 22 | 09-19-2013 11:54 AM |
Izotope RX | JWalkerVS | Post - Surround - Video | 39 | 06-16-2009 09:19 AM |