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#1
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![]() Thanks in advance...... ![]() Situation: Mac OS X 10.7.4, ProTools 10 I scored my first short film (HUZZAH! ![]() UNTIL.... ![]() I gave the editors the score's WAV files but wanted to also include the actual ProTools project file so they could change parts if they wanted (I can't fade in and fade out MIDI nor lesson the muddiness of the sustain pedal in places.....that's another question for another post). When I emailed it (a 111kb file)..... ![]() UPDATE: After freaking out and thinking I had lost all the MIDI information, I instead opened a recovered file where I found all the instrument tracks to be blue, active, and editable. Whew....at this point, I'm just really curious as to what transpired....and how to avoid it in the future ![]() |
#2
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You're recording MIDI directly onto instrument tracks yes? Occasionally you may find when you close a session and reopen it Pro Tools will have lost its MIDI routing. This will often happen after a crash, or when your MIDI studio setup has changed in between closing and opening, or sometimes it seems to happen for no reason at all.
It can be fixed though. If you've still got the broken session open it so you can have a go. Go to View>Edit Window Views and make sure 'Instruments' is checked on. Now look for the column instruments next to your track header and scroll to one of the greyed out tracks. It will show a MIDI input, which will normally be 'All', and a MIDI output either below or next to the input depending on the track height. You should find on a broken track this is in italics and a different shade which indicates an inactive output. Now if you open the instrument plugin window for that track in the top left hand corner it will say 'MIDI node' which will tell you what port the plugin should be on. For example the 2nd Xpand2 plugin in your session would be 'Xpand2 2'. Now click and hold on the greyed out output assignment. It will bring up a list of available MIDI nodes. In the example above you would be selecting 'Xpand2 2>channel 1' from the list. You should then see the tracks regions revert to blue. Repeat the process for all the broken tracks. A much faster way of doing this that will work 99% of the time is to simply drag the plugin instrument from its current insert slot to a different one. This will force PT to re-assign the MIDI channel. Having said that, I definitely think it's worth learning how to manually reassign ports if you intend to be working with MIDI a lot. On a side note, I always work with separate MIDI tracks which are routed to instrument channels instead of recording straight onto an instrument track. There are a number of advantages to this - eg 1) If you've got your IO view on all the time you can see straight away when the routing has broken, and repair it without having to change the view settings. 2) You can have multiple MIDI tracks going to the same instrument if you want more than one part to use the same sound. 3) You can set up mirrored outputs if you want the same part to play multiple instruments. Hope that makes sense! |
#3
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suicune, thank you for your explanation. I've been running into this tonight and it's been frustrating. Finally I came here and your fix had me up and running in just a few minutes.
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#4
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Mega necro bump, but I have been going crazy with my aax instr tracks suddenly not playing back or not allowing me to play them and monitor with my midi KB...
That's what it was.. Pro tools literally randomly drops the midi connection.. mine was still stuck on arturia spark from the previous instrument and hadn't reassigned in this case to it's replacement... THANK YOU.. I am on my hands and knees thanking you as now I know how to fix this.. now only if i can fix those darn tempo sync issues with eastwest play..............
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System 1: iMac i7 3.4ghz quad core, OSX 10.12.6, 32GBRam, 2TB Internal Apple HDD 7200 rpm, 256GB internal Apple SSD, TBolt 7200rpm G-Drive, Pro Tools 2018.3,, Cubase 9.5.2, UAD Apollo8 TBolt Quad x2, UAD satellite Octo TBolt x2, TBolt 512GB Lacie SSD, ATI 6970M System 2: Macbook Pro Retina 2.8ghz i7 quad core, OSX 10.12.6, 16GB Apple Ram, 1TB Apple SSD, 1TB Thunderbolt SSD, Logic Pro 10.3.3, Cubase 9.5.2, Pro Tools 2018.4, Apollo Twin Duo, Nvidia 750M/Intel Iris Pro |
#5
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![]() Quote:
May I offer a couple suggestions for process? First off, no matter what VI I'm using on an instrument track, I always record the MIDI on a separate MIDI track and direct the MIDI track's output to whatever VI I want it to play. Once I have the part how I want it, I then commit to audio and then hide and make inactive the instrument and MIDI tracks to save on CPU resources. I do all the mixing off audio files for everything. Makes things easier to keep track of for one thing. I don't think I'd ever send a PT session to an editor because they likely won't be all that familiar with PT and probably won't have the same instrumentation I have and all that. I just provide audio files in whatever format the client wants...usually 24bit, 48k WAV for videos. Also, by doing the separate MIDI tracks from the VI, you are very unlikely to ever lose your MIDI data. Also, be sure you always back-up your PT session drive after every session. (you probably do that anyway!). Hope things go well for you.
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"Never believe anything you hear in a song." Tyrion Lannister, Game of Thrones Owner: Dragon Rock Productions LLC Dell XPS 435T/9000 Win-10 Pro 24gig RAM IntelCore i7 CPU 920@2.67GHz Pro Tools 12.8 Focusrite Scarlett 8i6 |
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