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#11
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Re: mono / stereo question
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#12
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Re: mono / stereo question
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#13
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Re: mono / stereo question
I guess I just don't see the point in splitting it and inverting the phase then.
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#14
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Re: mono / stereo question
Well see if you don't split it, you won't have an independent control of the eq, volume, pan settings etc. And if you do split them and don't invert the phase, then if you place them at equal volume, both will cancel themselves as they would be perfectly out of phased. Inverting the phase would ensure that this doesn't happen.
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#15
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Re: mono / stereo question
All you are doing is taking a mono source of both toms and treating an out of phase copy like another microphone. If you're trying to bring out each tom in it's own track then why bother with polarity when you could just EQ to suit each tom. Messing with the polarity would just give you phasing problems even if it's not canceling the entire signal. I just don't understand what effect you are trying to achieve with this. You wouldn't consider doing this with any other mono source.
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#16
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Re: mono / stereo question
The reason you reverse the polarity is to avoid phase cancellation of both tracks. Since one side of the stereo figure 8 takes the 180 (in phase) and the other side takes the -180 (out of phase) of one tome, and the reverse also happens to the other tom. If you bring both tom to the same level without reversing the polarity, you get phase cancellation and both tracks gets muted.
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#17
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Re: mono / stereo question
ummmm, what mike do you have that is "stereo figure 8" you can have a stereo microphone, with two outputs. or a figure 8 pattern microphone, with one output.
are you confusing these two situations? or have i misunderstood? the only way to get stereo out of a figure 8 mike is to use mid/side technique. |
#18
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Re: mono / stereo question
Either I'm not explaining myself right, or I'd have to do it live to explain it We used to use a Neumann 87 to do that job. AND NO once again, we were not looking for setreo imaging when doing this. This is a technique to use 1 mic to capture 2 toms. Stereo imagine has nothing to do with this.
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#19
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Re: mono / stereo question
So what is out of phase with what? You only have ONE SOURCE! Regardless of how many drums it is picking up it is a single mono audio file. If you take any waveform, duplicate it, and invert one side all you will get is cancelation no matter what eq or panning you do. This sounds like a very bad practice or you are very confused about mid side processing.
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#20
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Re: mono / stereo question
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One mono microphone equals one waveform. You are describing half of the mid-side technique.
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