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#11
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Or bounce 1 track at a time Sent from my iPad using Tapatalk
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James Cadwallader Hackintosh - Gigabyte Z77X-UP5TH, Intel Core i7-3770K, 32GB 1600Mhz DDR3, 2x SATA 6Gb/s 240GB SSD, 3x SATA 6Gb/s 1TB HDD, 1x Glyph 2TB USB3 HDD, Sierra 10.12.6. Pro Tools HD 2018.12, Focusrite Red 8Pre, Mbox 3 (Mac) Pro Tools 11.3.2, Mbox2 (Win 7) Presonus Faderport, Pro Tools | Control |
#12
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If there's processing in the Master Bus that might be necessary but I wouldn't recommend it if there's glue compression or shared parallel fx chains
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Dell XPS 8700. Intel Core i7-4770 CPU @ 3.40GHz. RAM: 16GB. Windows 10 Home x64. NVIDIA GeForce GTX 645. NI Komplete Audio 6. Pro Tools 2018 amagrasmusic.com |
#13
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Hey, I haven't used the commit feature much but would this capture volume? I know it captures clip gain and inserts.
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#14
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Why would a mixer actually want the volume and pan settings from the rough mix??
FWIW: If I had a session that was so locked in that I didn’t really want a mixer to have a completely new look at it (which begs the question as to why I would then be sending it out to be mixed by someone else) i would certainly search out someone working in pro tools so he/she could just open my existing session. But when I get things to mix, I don’t really need volume or pan settings from the roughs.
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William Wittman Producer/Engineer (Cyndi Lauper, Joan Osborne, The Fixx, The Outfield, Hooters...Kinky Boots!) |
#15
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If I were the mixer would definitely ask for the raw files. It’s like sending your mix to the mastering engineer maximized at 0dbFS.
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Mac Mini late 2012 i5 | Mac OS Mojave 10.14 | Motu 16A | Motu 828ES | Pro Tools 2018.12 Native |
#16
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Yeah forget the pan and volume, that's all part of the mix. If the mixer wants to check your choices then he'll listen to your rough mix.
Check all the fades and crossfades on the tracks. Check all edits such as comps, tuning, timing and such. Commit any EQ, processing which is core to the sound of the track, especially amp simulations for guitar and bass. That said, err on the side of caution and don't box the mixer in with over processing. Commit any virtual instruments. Consolidate all tracks to the full length. For example, if the song is 3:48 then make sure the final audio tracks are all 3:48 in length. Check with your mixer what file type is acceptable. 44.1/48 x 24 is pretty ubiquitous. So either convert from your consolidated tracks or else just send them a copy of the consolidated tracks. Hope that helps. Stephen |
#17
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Not difficult at all: If you want all the automation/plugs/panning rendered, then select across all tracks and timeline and right-click to "commit" - choose "edit selection", check "consolidate clips", and render auto/panning if desired. After committing, select across the newly rendered tracks and shift-cmd-k to export desired clips to a new folder.
If you don't want panning/mono-to-stereo/auto/plugs, then just select across all tracks and timeline, shift-opt-3 to consolidate all edits, then shift-cmd-k to export the new files to a new folder.
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rich@richbreen.com http://www.richbreen.com ---------------------------------------- MacPro 5,1 Dual Hex, OS 10.12.6, PT 2018 HDX, Avid HD I/Os and Metric Halo ULN8, Avid C24. |
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