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#1
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Killer kick sound
Hi guys i need some help here no matter how I try I can´t seem to get a big sound out of my kick drum I use a beta 52 though a art mp studio v3 straight to the 001, ive also tried sending the mic to a soundcraft mixer and a studiomaster mixer but cant seem to get it right any thoughts
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#2
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Re: Killer kick sound
Look I aint no pro on this but I had the same problem soo this is what I did:
if you are trying to hat that boWWWWWWW sound try removing the thing's out of your kickdrum. if you are trying to get the BO sound then place a pillow in you kick drum and place it so it leans on the side that the hitter hits. hope it help you
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pardon my stinkin' writtin' |
#3
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Re: Killer kick sound
Or replace the kick with a sampled sound. Sometimes this is the best approach.
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#4
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Re: Killer kick sound
try duplicating the kick drum track
eq one for the high clicking sound and eq one for the low end
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www.klarityrecordingstudios.com |
#5
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Re: Killer kick sound
Drums IMO are the most difficult thing to get a sound on.The best thing to do is get your self someone to help you record.Try different room setups and record just your drums for 1 minute at a time save it then try something else.Really yo just have to experiment.If you want a slap click sound go with a wood beater.Have Fun Stu
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#6
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Re: Killer kick sound
Here's some tips:
- get some weight into the kick drum, a 25lb plastic sand-filled dumbell weight works well, found at many thrift shops - remove the outer skin, extend the drum shell 2-3' with carpet in a tube shape, use the clamping rim fron the drum to hold its shape - place the mic at different spots, often works well about 1' from end of tube - cover and seal the tube with a blanket for better isolation - use compression settings with long attack (65-80ms) and a relatively short release (15-25ms), 3:1 to 5:1 ratio - large diaphram condensers work very well, but since you're using a dynamic mic, it might help to get a small diaphram condenser on the beater |
#7
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Re: Killer kick sound
What specificially is your kick sound lacking? dDo you hear this sound acoustically? If not, then that's your problem.
where do you place the mic? what size drum, is there a mic hole? Typically I place the mic so the blue band is even with the front head if there is a hole. I find the 52 does not work that well with double headed kicks, but that's just MHO. I personally find bass drum to be the easiest to get a good sound on, however it has to sound good first acoustically. get that drum to sound the way you want it to sound when it's recorded. Ovehead sound plays a big key in the kick sound, as it is the basis (IMHO) of the drumset sound. (remember, it's one big instrument. |
#8
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Re: Killer kick sound
hotstuff,
I did have a beta 52 that was giving me trouble (a honky sound) with the beta52 i just scooped out the honky mids after I tracked it with plugs and brought up the highs/click a bit and the mic sounded great....I found that the 52 was a bit fussy to place properly. start out by placing directly at the beater dead center about 3-4 inches away from (inside) beater head. then angle it up to the top left corner as if you were trying to aim the mic just over the bottom head/rim of the floor tom. thats where the 52 sounded best for me. Also, try to back off on the tube drive of the art, keep it at a lower gain as too not push the tube so hard. (for a cleaner sound). i did notice the 52 did not like the heavy tube color through its mids. you can also try a second mic about 1-3ft in front of the kick. a Large diaphram mic works well and I prefer a front head with a hole in it. good luck! |
#9
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Re: Killer kick sound
Ovehead sound plays a big key in the kick sound, as it is the basis (IMHO) of the drumset sound. (remember, it's one big instrument.
Gotta disagree with you there. Overheads can pick up a modicum of kick, but really all that's audible in a mix would be categorized as room sound generated by the midrange snap. I find it's better to get the kick isolated and for room sound re-amp it in the same room through a good bass amp. I've even deliberately had my car keys and loose change rattle on a table in the room with an MC012 on them for effect during drum solos. I do agree that the overheads are the key component to the sound of the kit, but it's not one big instrument, it's an ensemble of different instruments. Cymbals, cowbell, timbale, roto-toms, snare, double-skinned toms, concert toms, kick, etc... they all require different processes to capture effectively, which is why drums can be so difficult. Ideally there should be a percussionist for each component, but that's just not how it ends up. |
#10
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Re: Killer kick sound
Hi guys just got back from work!FREE!!! im new here and its good to see the input and that everybodys wants to help I guess the main problem might be with the acoustic sound of the kick, its a 20" with a hole in the front its got a heavy blanket in it and I use Remo heads, thanks for all the tips! Ive now got a lot of experimenting to do
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