Avid Pro Audio Community

Avid Pro Audio Community

How to Join & Post  •  Community Terms of Use  •  Help Us Help You

Knowledge Base Search  •  Community Search  •  Learn & Support


Avid Home Page

Go Back   Avid Pro Audio Community > Live Sound > VENUE Live Sound Systems

Reply
 
Thread Tools Search this Thread Display Modes
  #1  
Old 08-16-2017, 10:58 AM
JustinT JustinT is offline
Member
 
Join Date: Dec 2014
Location: Boulder CO
Posts: 14
Default Free the Monitor A/B busses!

First off, thank you Avid for the updates in 5.4 and later. They've made my life as a monitor engineer better. But there is still room to grow as far as monitor console workflow, specifically in the Monitor A/B bus routing. I posted some of this on IdeaScale, but wanted to elaborate here a bit.

I mix for a band that uses wedges and IEMs. The 2 monitor busses are great for simple soloing to a cue wedge or my own ear pack. Where the console is lacking is in creative routing of the Monitor A/B busses. I would like to hear talkbacks, radios, etc in my ears and wedges. I can do this with routing out of the console, back into a matrix and then use these outputs to my cues. However, you then can't easily control the level of your talkbacks in the cue, and I don't want my stage talk always blaring out of the cue wedge.

I tried setting up workarounds where the monitor A/B faders would work as a remote control for the Matrix level, but they're not included in the trigger menu. I wanted to assign the Matrix faders to the Flex faders A/B, but that's not an option. Monitor A/B are also not options in the Matrix mixer.

My only guess is that Avid is trying to protect us from accidentally setting up a feedback loop that creates horrible noise. However, you're really limiting routing options for monitor engineers. Please trust us to patch correctly and build some more flexibility into the monitor bus routing.

Like I said on my IdeaScale post, the ideal would be to add a new Monitor tab to the System page that gives the Monitor busses their own matrix mixer, maybe not as extensive as the normal matrix, but enough to add some extra inputs while still retaining level control on the surface faders. Or allow Monitor A/B in the normal matrix and then allow the Flex faders to control the matrix levels, not just the limited options they currently have.

Sorry for the long post, but it tends to get complicated. If you know of any other options, I'd love to hear them.
Reply With Quote
Reply

Thread Tools Search this Thread
Search this Thread:

Advanced Search
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Similar Threads
Thread Thread Starter Forum Replies Last Post
Can Studio Monitor Express & Transport act as digital monitor controller? briancares Artist Series 1 02-04-2014 05:23 AM
Why am I only seeing 30 busses? atkins5614 Windows 5 11-29-2013 02:48 PM
MBox 2 Pro Monitor knob has stopped changing monitor levels Rumandolin 003, Mbox 2, Digi 002, original Mbox, Digi 001 (Win) 1 04-21-2013 09:13 AM
How Many Busses Do We Have? tomhartman 003, Mbox 2, Digi 002, original Mbox, Digi 001 (Mac) 1 08-01-2009 04:28 AM
Dual Monitor / hardware playback with NTSC monitor TheBriceShow Post - Surround - Video 2 02-21-2005 05:58 PM


All times are GMT -7. The time now is 04:11 PM.


Powered by: vBulletin, Copyright ©2000 - 2008, Jelsoft Enterprises Limited. Forum Hosted By: URLJet.com