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#11
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Re: Mix Translation From Theatre To Streaming
So glad to hear it went well Ryan, thank you for sharing your results back here with everyone.
I find that is often how it is, things translate pretty well and you can do the little big room tweaks that are like the extra icing on the cake. Glad to hear you are happy with your mix and happy with the dubstage experience. Thanks again for reporting back your findings on here! |
#12
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Re: Mix Translation From Theatre To Streaming
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Last edited by Bonaro; 09-10-2023 at 08:03 PM. |
#13
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Re: Mix Translation From Theatre To Streaming
Thanks for sharing the experiences. Most of my work has been on JBL C series in a mid size room and I’ve always questioned if I was doing the right thing taming that 2kHz region. Always good to hear some empirical confirmation.
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#14
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Re: Mix Translation From Theatre To Streaming
2kHz is so annoying, IMO of course.
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Janne What we do in life, echoes in eternity. |
#15
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Re: Mix Translation From Theatre To Streaming
Absolutely, it’s the first thing i have to address as it grates my ears so much. Presumably a by product of the more linear recording format of digital recorders? Did people mixing material recorded to mag tape have to tackle those pokey frequencies or were they softened by the recording medium?
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#16
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Re: Mix Translation From Theatre To Streaming
Depends which tape and speed is used. Where I first learnt to record, the 15IPS system (BASF tape) had notorious 2kHz boost which is why I learnt to recognize the tone.
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Janne What we do in life, echoes in eternity. |
#17
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Re: Mix Translation From Theatre To Streaming
Room EQ is the issue along with the JBL midrage horns that are very edgy / bitey and pronounced. The Meyer Acheron series (which I use exclusively) does not have this issue. I think "Leverson" has made some very good observations . He by the way is a VERY GOOD MIXER (and person)!
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Marti D. Humphrey CAS aka dr.sound www.thedubstage.com IMDB http://www.imdb.com/name/nm0401937/ Like everything in life, there are no guarantees just opportunities. |
#18
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Re: Mix Translation From Theatre To Streaming
Thanks for the kind words Marti! Posts on forums like this one helped me out lots and lots when I was first starting out, including a great many posts of yours! I figure it's part of my duty to pass some of my own experience forward to others when I can now.
I'm happy that the original poster for this thread got to take their mix to a proper stage and that it was a good experience and they shared their findings back. I'm a big proponent of taking things to calibrated Dolby stages and mixing in proper rooms whenever possible. It can be so critically beneficial to the work. I know the first time I took a project of mine to The Dub Stage for a four-wall playback was illuminating for myself. |
#19
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Re: Mix Translation From Theatre To Streaming
I always find the surround speakers are much quieter in a dub stage compared to a smaller mix room for TV. I have had my TV shows viewed at premier parties in mo=vie theaters and I always get the producers coming up to me asking about the mix afterwards. I have them back in the stage to view it again and its fine there and fine on air. I think this is due to 1) the theaters surrounds being -3dB quieter and 2) the size of the theater.
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Brandon Howlett Vibe Audio Post, Inc. Re-recording Mixer Custom Build CPU, HDX 1, Omni, 192 I/O Digital S6 M10 24 fader Satellite Mac Pro, HDNative, 192 I/0 Black Magic HD Extreme |
#20
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Re: Mix Translation From Theatre To Streaming
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