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  #1  
Old 04-06-2007, 10:46 AM
SPC SPC is offline
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Default Video Sync Offset using Mojo

Hi,

We recently installed the Mojo which now replaces my old Canopus DVAC (???) 100.

With the Canopus the Video Sync Offset in Pro Tools was 22qf's.

1) I'm having some trouble figuring out what the "Offset" should be now that I'm using the Mojo. Any recommend methods maybe using a 2 beep?

2) Sometimes I get sent Quicktime files that I convert to DV (in order to play on my monitor).... and most times I'm pulling picture from a Digi Beta. Would the Offset be different for these two scenarios?

3) If the editor is on a Avid should I now have him create an export that also contains his video right from the Avid, since I have the Mojo?

4) Final Cut editors will still "have to" put picture to tape (as opposed to export something the Mojo can use), correct?


ProTools 7.3.1, Mac 10.4.9, video recorded to an internal 2nd hard drive, monitoring video on an old school Panasonic tube TV & also a Phillips flat LCD.

Thanks!
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  #2  
Old 04-06-2007, 12:48 PM
Pirate Post Pirate Post is offline
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Default Re: Video Sync Offset using Mojo

The answer
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  #3  
Old 04-06-2007, 01:13 PM
emf1138 emf1138 is offline
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Default Re: Video Sync Offset using Mojo

Quote:
Hi,

We recently installed the Mojo which now replaces my old Canopus DVAC (???) 100.

With the Canopus the Video Sync Offset in Pro Tools was 22qf's.

1) I'm having some trouble figuring out what the "Offset" should be now that I'm using the Mojo. Any recommend methods maybe using a 2 beep?

2) Sometimes I get sent Quicktime files that I convert to DV (in order to play on my monitor).... and most times I'm pulling picture from a Digi Beta. Would the Offset be different for these two scenarios?

3) If the editor is on a Avid should I now have him create an export that also contains his video right from the Avid, since I have the Mojo?

4) Final Cut editors will still "have to" put picture to tape (as opposed to export something the Mojo can use), correct?


ProTools 7.3.1, Mac 10.4.9, video recorded to an internal 2nd hard drive, monitoring video on an old school Panasonic tube TV & also a Phillips flat LCD.

Thanks!

#1. See above post.

#2. Yes. DV QTs and AVID QT OMFs will have a different offset. QT is in 1/4 frame increments, Avid is in 1 frame increments. If you get a Digi and load it via Mojo, then you will have an "Avid QT" video in your system.

#3. Have the Avid editor export an OMF (2.0) of their session with NON-EMBEDDED media. Then use IMPORT SESSION DATA in PT to load picture and audio. This is by far the best solution over loading video.

#4 FCP editors can export their pic using the free Avid codecs available from avid.com. It will still have a DV QT offset, but will work fine (and look pretty damn good too).
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  #4  
Old 04-06-2007, 07:27 PM
SPC SPC is offline
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Default Re: Video Sync Offset using Mojo

Quote:


#4 FCP editors can export their pic using the free Avid codecs available from avid.com. It will still have a DV QT offset, but will work fine (and look pretty damn good too).
So, do I understand you correctly that with QT DV's I'd need to REMEMBER to go back to my 22qf's setting (or maybe it's different now that the Canopus is out of the picture)?

Emf: Thank you much! That's the type of feedback I was looking for.

Pirate: Thank you, too. You're a man of few words but a good link.
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  #5  
Old 04-07-2007, 12:11 AM
Frank Kruse Frank Kruse is offline
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Default Re: Video Sync Offset using Mojo

Quote:
Quote:


#4 FCP editors can export their pic using the free Avid codecs available from avid.com. It will still have a DV QT offset, but will work fine (and look pretty damn good too).
So, do I understand you correctly that with QT DV's I'd need to REMEMBER to go back to my 22qf's setting (or maybe it's different now that the Canopus is out of the picture)?

Emf: Thank you much! That's the type of feedback I was looking for.

Pirate: Thank you, too. You're a man of few words but a good link.
You m8ight want to read the manual on this topic. PT offers sepperate offsets for both AVID and QT-media that will automatically switch.
BUT: Depending on your codec you will need to eneter a different QT-offset.

frank.
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  #6  
Old 04-01-2011, 11:28 AM
Lydonius Lydonius is offline
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Default Re: Video Sync Offset using Mojo

Avid says to start at 14 quarter frames for mojo offset
If a avid editor exports a Avid .MXF file
there is no need for a tape or digitize
just import the MXf as a video file into protools
For filal cut projects
you can use mediastation to convert files to an avid file

I dont touch the tape machines anymore
especially HD
there is a 2 frame forward offset required to layback to a HD deck in sync
so its better to give the mixed audio back to the editor and have them layoff the video and audio together
making it less likely to have sync drift between audio and video
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  #7  
Old 04-02-2011, 11:46 AM
Chief Technician Chief Technician is offline
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Exclamation Re: Video Sync Offset using Mojo

Quote:
Originally Posted by Lydonius View Post
there is a 2 frame forward offset required to layback to a HD deck in sync
Only if your deck is not configured correctly.
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