Yes - of course.
The point however is: Many proper stages also can’t reproduce sound below 30hz.
At this point I feel my best option is to place HPF’s on my stem masters, and filter sounds below 30hz.
...With tiny festival-bound documentary shorts, the entire budget is frequently less than a day on a quality stage... nevertheless a DCP must be made.
-jeremiah
Quote:
Originally Posted by RecRoom
I think the only way you'll know is by getting the mix to a proper dubstage. Seems like you'll just be shooting in the dark otherwise.
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