Quote:
Originally Posted by Emcha_audio
That's exactly what I'm saying. Since you don't hear the bleeding of the other instruments in the mics, because it's a VI, then you can simply convert each track to mono without problem. 
Quite simply, you get more tracks to use that way, and in all truthfulness, beside the room mics, the instruments would be mono anyways. I'm giving the guy that uses his 88 tracks constantly due to the VI other options here. Using a stereo track for a mono instrument is a waste of resources. |
Vienna Instruments are not mono, in spite of what you may think. There are some instruments that you can narrow the stereo width of so much that they almost become mono, but trying to make most of them mono is a disaster waiting to happen. There are no room mics. There are no spot mics. You get one sample, which (I think) is a combination of all the mics used for recording summed to one, stereo instrument.
D