Mr Fairbanks makes a great point. When I was mixing stereo music in NYC, we had a set of Meyer Hd-1's, but after the final mix, we took a listen to the mix on a butchered radio shack clock radio, so we could have an accurate refernce for what it sounded like in the crappiest of situations. For the studio that I am currently building, I plan on having a 5.1 Tannoy system (system 800a's) but I will always listen to the mono version on the speaker that is in the video monitor.
My 2 cents
mazuroo
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