Quote:
Originally Posted by Eric Lambert
Just thinking outloud here...
We all know that delay comp has limitations when playing in real time, hence the red indicator when the delay becomes greater than what PT can compensate for, but "commit" isn't harnessed by real time hardware/software/CPU attributes so why shouldn't it be able to align itself appropriately with the rest of the track when converting to audio, regardless of the delays?
|
Pro Tools "commit" should match what the mixer can do in real time. It doesn't make sense for Commit to do something you can't do in real time. It would be confusing because of its inconsistency.