Quote:
Originally Posted by O.G. Killa
Anyway... The point of a stereo mic'ing technique is to get those timing differences between the two mics.
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When using spaced or near spacing this is true, but with coincidence micing it is the frequency/amplitude domain rather than the time domain that give the stereo imaging.
I love M+S mic'ing as a stereo micing technique. One of the beauties with this is that you can widen or narrow the image at mixdown.
I must confess though that 'lovely spaced omnis' is a also a favourite stereo mic technique (however you won't make a bad room sound ok with this, it will be just as it is!)