Quote:
Originally Posted by mr.armadillo
Oh dear. I guess the "easiest" and cheapest way to do it is for the editor to hire an assistant who re-imports all of the production audio into FCP and hands you a new OMF.
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Great suggestion. Unfortunately there is limited time for completion because of a deadline created by the distributor who has already bought the film. Honestly I think I would rely much more on an sound assistant more so than any "assistant" from the pic department (whom got me in this mess in the first place). If I get behind schedule on this I
have to get an assistant to help me out.
-Justin