Quote:
Originally Posted by JesseF
When you use mono busses and mono->stereo aux plugins, you cannot pan each channel of the send. That doesn't matter? Sonically speaking, what difference would it make if it was a stereo send and you were able to pan it? (I've tried testing this but can't really put my finger on it). (I tend to get hung up on these little, or no so little decisions when mixing).
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Try sending a stereo send from a mono track, to a aux with a "dual mono" verb (true stereo w/any plugin) on it. You can pan the dry signal one way and its reverb to the other.
And that, independently on many tracks, using just the one reverb return.
I experimented alot with this once. Didn't find any real use for it, really. I thought I might be able to simulate real space and reflections in "3D".
But there are great creative possibilities when you start using delay and other kinds of effects.