Quote:
Originally Posted by JFreak
Perhaps the point is we already have too many to choose from and the foolish mind always becomes happy with bigger numbers. If audio industry isn't doubling the numbers then companies are greed to sell ageing boxes and hold on to better quality. Cannot win this with being happy.
Early digital gear were clocking 32k and doubling that to 64k would have been perfect. Damn CD gave us 44.1k otherwise our dilemma might be 32 / 48 / 64 what to choose?
With that said I'm fine with 48k (tracking) but some plugins do operate better at 96k so that's what I use for mixing
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When in digital domain higher SR is probably better. What these guru guys were state is that with a too high SR the converters suffer during the reconstruction process