Pro Tools 12 I don't care about the release date, because...
Avid will never see another dollar, euro, Turkish lira, or Madagascar Ariary (had to look that up) from me again, unless they change from this subscription madness. I'm a musician, working on my own projects, and not running a big studio. $30 a month or $300 a year is a complete non-starter, especially given that missing a month means a complete lack of access to old projects.
So I guess I'm sticking with PT 11 till I die... Good thing I mostly like it... ~peter in istanbul ps-- why did the "I" in "I don't care about the release date" get turned into "bleep?" |
Re: Pro Tools 12 I don't care about the release date, because...
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Re: Pro Tools 12 I don't care about the release date, because...
Are you sure? This is from an email from Bobby Owsinski:
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You can buy a perpetual license and use it forever, at that version. It will never "disappear" from your computer unless you delete it.
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If you have a subscription that lapses, do you then use your perpetual license? I assume Pro Tools goes back to the last perpetual version and the subscription version either goes away or is simply "turned off".
Does your old perpetual license stop working when your subscription lapses? It should not but I haven't seen all the facts yet. Does the subscription enable the most current version of software or the last working version you had on your computer? While on subscription, do you get updates? |
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Ok, here is the real truth and "rub". The mods and AVID like to "steer" you away from this very fact.
Yes, if you have a perpetual license, it will not go away. If you have a subscription it will. So let's say, you buy the 199 annual "extortion support" and in a year, when it is up for "renewal", you either don't have the money at that point, or AVID has put nothing of value into the software that you need at that time. While your license will remain at that version, let's say V12.2.1. That is the last version you will be able to use. You will not be able to get updates. And worse yet, you will NEVER be able to UPGRADE that perpetual license. It is FROZEN at that version FOREVER. IF you want to get the next update, lets say that v12.2.3 fixes a very annoying bug that has been their since V12.1.2 for the year, you will not be able to get it. However, if you buy a "NEW" perpetual license for 899, you will have one year to get on a "plan" or the whole process starts over again. It is nothing more than extortion. Pay monthly or annually, or lose the ability to update and upgrade FOREVER. And from Bobby himself, the music community is not moving up to 12. There is nothing they want in it, and everyone feels the same about this annual "must" or lose deal. Logic, DP, Cubase and Nuendo are getting looked at heavily again and many are consider moving to other platforms. |
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Huzzam, what about GBP, Yen, or Spanish doubloons? |
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You have to buy a completely new license to get new updates and upgrades. And if its an HD license, you need to buy new hardware again to get a new license as you can't buy an HD license buy itself. So the only one who wins here is AVID and AVID screws the users. |
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"Q. What is a perpetual license? A. A "perpetual license" is a license that does not expire—you own the software. You get a perpetual license when you purchase a new Pro Tools or Pro Tools | HD system or Pro Tools software. New Pro Tools software purchases come with a one-year annual upgrade and support plan. After one year, you have the option of renewing your plan to continue receiving the latest features. If you choose not to renew, you can continue using your software indefinitely at the latest version you have, but will not be able to upgrade it at a later time. Q. Will my Pro Tools perpetual license stop working at the end of the one-year upgrade and support plan period? A. No, you can continue to use Pro Tools if you allow your upgrade and support plan to expire. However, if you want to continue receiving updates with new features, you will need to renew your plan before it expires or switch to a subscription. Pro Tools and Pro Tools | HD owners will have through the end of 2015 to get on an annual upgrade and support plan. If you don’t get on a plan, you will not be able to upgrade your software in the future. Q: If I have a Pro Tools perpetual license and my upgrade and support plan expires, what are my options if I want to upgrade later on? A: You will have two options to get access to the latest version of Pro Tools: Subscribe to Pro Tools software on a monthly or annual basis Purchase a new Pro Tools perpetual license (full product) that includes an annual upgrade and support plan" At this point, it is up to Avid to prove that there will be compelling reasons to buy into the support plan. If over the next year the Pro Tools upgrades provide features that make your work better/easier, then staying current with the support plan makes sense. If there are no new features that make your work better/easier, then stay on the "perpetual" license that you have. Quote:
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So unless AVID wants to state something different, there is no speculation. That is the current policy. And while there is no "secret" to the FAQ, the fact that you lose the ability to update and upgrade your perpetual license FOREVER is the most troubling fact PERIOD. You can spin it anyway you want, and defend it, but that in a whole is what users are upset about. It is extortion through and through. AVID isn't being very user friendly in this and it is driving away users. As I have stated, I'm not purchasing an HD rig this year as I had planned to thanks to this. And I'm not the only one either. Several people are forgoing hardware upgrades and purchases as well. That's 30k plus lost this year for AVID. I wanted to have multiple license as well, but now will only keep one. Defend all you want, but this is bad for the end users, not good. |
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Being locked out FOREVER makes it extortion. No other model does this. Not Sonar, Slate, MS, Adobe. If you miss your renew date and renew later, all is good. Not with AVID. You miss, you lose. Ergo. Extortion. |
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It may not be what Slate, Adobe, and Popular Mechanics magazine are doing - it doesn't have to be. I don't like the new policies either, but I don't see how the use of hyperbole will help anything. |
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Is the music industry actually moving away from Pro Tools or are studios just not upgrading?
And if they are moving away, what is the new "industry standard" DAW? |
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But more recently, the word from Avid has been that there will be free updates to Pro Tools 11 "Through December 31st 2015. I've asked the question, and there has been no answer so far .... That phrase either means ... 1) Avid does not intend to release any more updates to PT11 after the end of 2015, which goes against their historical support period for a PT version, e.g. they have promised a further update to PT10 in 2015, or 2) Any updates to PT11 after the end of 2015 will be designated as 'upgrades' and thus not be available unless you are on a support plan. Those are the only conclusions you can come to unless unless it turns out to be yet another example of bad wording by Avid, with them conflating the deadline for signing up to a support plan with availability of free updates in error. |
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"If you choose not to renew, you can continue using your software indefinitely at the latest version you have, but will not be able to upgrade it at a later time." Latest version [B]YOU[B] have. Meaning, if the last version you had was 12.1.1, and a week later 12.1.2 was released fixing a number of bugs, you will NOT be able to get that update. "If you don’t get on a plan, you will not be able to upgrade your software in the future." No more updates after expiration, and you cannot upgrade your product or get on a new plan with that license. I've used those examples to show how other companies look at their customers differently. Locking the customers out of updates and upgrades forcing them to have to buy a completely new license is dumb. Look, if they want to keep people from updates who haven't renewed, fine. But allow them a chance to come back, in a normal none extortion like threat as it is now. I only mention AVID's demise as something that is a real fact. Picture editors are pissed too. Look at Keurig. The backlash from the customers is so big because of their DRM sceme, their earnings are tanking. And that's coffee. I think if AVID loosened the reigns, allowed customers to come back if there was a lapse, more people would be on board. A whole lot more. But the forcing of it is what and why people are lashing out and walking away. AVID is trying to increase their bottom line. This is only going to lead to a negative bottom line next year. |
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As I pointed out, bugfix updates are free - and as Nigel clarified, the cutoff date is the end of 2015. With or without a support plan. In this case, "the latest version" is referring to the latest feature version, where bugfixes are not full versions - they are "dot releases" like 11.2.1 and 11.2 etc.
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Somewhat of a silver lining, that is also the cutoff for adding support plans to existing licenses. So you have until then to see how things shape up before you make your decision, and you'll still receive all the bug fixes in the meantime. |
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There isn't anything in 12 that is drawing those users to 12, and with the AVID plans, its tapping people out too much just to stay current. From my circle of people, I hear talk of Logic, DP and Cubase/Nuendo. Especially now that Logic has VCA's as does Cubase which was one thing that was keeping a lot of users on PT. Considering the cost difference, it will just be taking the time to learn a new DAW or just sticking with the last working version of PT for the next 4-5 years. I have both older versions of Nuendo and Cubase, as I moved to PT completely. However, I can upgrade those licenses, even though they are 7 years old. Both are far more powerful than PT vanilla and have all the features PT has now. I can keep one HD license and let the rest go. So much for multiple license upgrades when I am ready. They basically lost that business and hardware purchase business from me and many others. |
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What new features turn up in PT12 will probably dictate where a lot of people go but that's all speculation at this point. |
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Once hated Waves Update Plan WUP seems now like a very reasonable, good and customer friendly business plan.
Waves has put a lot of thought into this, ant they have experience of similar update system running for years now. In my opinion Avid should learn from Waves experience. If Waves 10k software bundle costs $300 to maintain per year then $2000 PT Software (HD license street price) should not cost more than $100 per year for people to consider it fair at least in my opinion. Also, in Waves case, if you decide not to pay the fee of update for year or two, or three you won't be let behind, once you pay the yearly fee again you are right in the boat enjoying all the features, without re-purchasing the software. I'm personally afraid Avid is shooting itself in the foot. Sure Institutions and big companies/national TV stations etc etc pay what they need to pay to keep PT current, but persons, much like myself sitting on Accel hardware working in PT10 will ask themselves why on earth should I upgrade to HDX now. Or then again, I might be living in a completely different reality than Avid is and they have calculated it over and over for a year or more and they know the new system keeps the company running... until Waves comes out with a DAW that opens PT sessions :D:o:( |
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But I got your point, the Pro Tools standard software isn't that expensive so Avid charges more from standard software users. HD plan however, at 599 a year, is relatively cheaper than WUP because HD systems are normally well over 10k, even entry-level HDN systems are well over 5k in comparison. I know what you think. I myself didn't buy into Adobe CC monthly subscription, because I don't use it that often. But I still have my CS4 very much alive and hope that it won't ever die. People are thinking how much they need Pro Tools and the user base might take a hit. |
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Anyway, I just wanted to say that if Avid would follow a similar pricing route and would not kill un-updated licenses off, that should be the way to go and I believe most people would not have issues accepting this. Right now I will be buying double of everything I have for my PT10HD to keep the system alive as long as I am alive :D |
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I'm not so sure yet what "killing" the lapsed service plan means. It might be that the license won't be upgradeable but keeps working just like before. Frankly, I have not worried about this a lot because I only have HD systems, and the new HD pricing is not yet announced.
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We don't even know whether or not it is ever possible to buy PT HD without hardware.
But imagine it should be possible this year; wouldn't a fair price point be triple standard software, because the yearly support plan is 199/599 currently? So that would mean PT HD price point at 3*899=2697 and the marketing folks' calculators would naturally produce 2999 as a result. That'd be my best guess. |
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Avid have gone from no 'support plan' of any sort (relating to updates/upgrades - only actual technical support in the past) to introducing one with this 'lapsed plan' threat all in one go. Paying for a plan to access technical support with the added benefit/value of included upgrades seems reasonable and would encourage Avid to make it worthwhile to customers (and may be attractive to serial upgraders), but locking out those who would rather pay only for required upgrades seems overly aggressive. Some may even like to hop in and out of support plans depending on circumstances. This would be equivalent to Soundtoys, Izotope, AIR, etc. ... any plugin developer who has previously allowed reasonably-priced version upgrades, introducing a paid plan requiring continuous payment with this 'threat' of going back to square one if you do not sign up. It wouldn't be too much of a surprise if this policy resulted in lost business. If I was to look at my applications folder and work out my monthly 'computing cost' if every developer was to charge me 25% of the purchase cost p.a., I suspect I'd be in for a bit of a shock! But Avid's rationale appears to be more wrapped up in the Everywhere and cloud components - over time, will we see an increasingly unavoidable dependency on using the Avid cloud to work with Pro Tools (the requiring membership, validated credentials, etc.) iLok protection would become redundant because one could use Pro Tools | First for free ... but couldn't do much with it without unlocking the required cloud component. |
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You're not being forced to re-buy necessarily, but you are forced onto the subscription plan at that point which is of course what they want everyone to be ultimately. This perpetual license thing is a ruse.
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Personally I think Avid will eventually drop the restriction on licenses not being upgradeable, as they also will Media Composer. It'll harm their own business financially. They'll stick it out as long as they can to bully as many people as possible into upgrading when they don't want or need to, then with the cashflow reaches critical they'll come with various "exclusive time limited" promotions to try to claw old customers back. The DUC will then be aflame with furious customers who've paid hundreds / thousands needlessly. |
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I agree: at the risk of losing non-support users from Pro Tools for good, offers may appear from time-to-time, possibly linked to major releases. If 2/3 of current users do not sign up for plans by end-2015 (as one recent poll suggested), Avid would find it hard not to try to tempt these back into the fold soon after and before they realise they can work with Cubase or what have you! |
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Maybe with whoever owns them this week (is it Gibson or Roland?) that will change and we'll see Sonar dual platform. It has most everything PT has been lacking for a decade now (track freeze for one); was the first to 64 bit for example. |
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The most logical successor to the PT crown is Cubase for music and Nuendo for post. Dual platform, reasonably priced, has pretty much everything that PT does and for some jobs is infinitely superior. For music, imo it all comes down to what the bigger name producers and engineers use. If they're lured away from PT, the rest of the industry will start to get dragged in their wake. Post will take a lot longer I think, but it's not impossible. |
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Post buys a 100 fader console and uses what software comes integrated with it. Session musician buys affordable software and uses whatever hardware is available.
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And as for session musicians - of course, but not sure how that affects anything. It's the producers and their engineers who would drive the change in music, not the musicians. |
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If there was good news ahead , they would jumping at the opportunity to tell the Pro Tools users to quell the unease amongst the troops , but no ..., the silence from Avid can only mean the worst. The fact that they have totally disregarded their own users wishlist on Ideascale :eek: lends weights to the argument that Avid are hellbent on shafting their users for whatever they can. I cant believe the new team at Avid (ie; a joint venture between Mr Burns & Dr Evil) havent back peddled on the whole idea by now , ie; after the negative response Avid have generated so far ..., as Ive not seen a single welcoming reply to their plans ..., only the total opposite ..., but Im guessing instead they are just up in their Evil tower sniggering . |
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IMO, PT vanilla users should run to another DAW. Not because of the subscriptions, but because it's way too crippled in comparison to other DAWs that are cheaper. Especially if your primary use is VI's. |
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No-one is suggesting any post or high end music facilities will throw all their PT hardware in the skip on December 31. What I think will happen (if Avid's current policies continue) is a client-led slow migration away, initially in music but then in post as well. You can pretty much run any other DAW side by side with PT at almost zero cost to a facility. With music, the projects are client led. So if the producers and engineers themselves begin to baulk at the heavy mandatory upgrade costs, lack of features or proprietary hardware, then they'll start bringing in Cubase projects, not PT. No problem for the studios - they have both. As time goes on though, the clients using PT will begin to dwindle, and the cost of upgrading will become hard to justify. PT would remain, but for legacy projects. From reading posts here, that's exactly what has already been happening for some time at the bottom end of the market, my view is that this phenomenon will rise up the food chain. With post there's less impetus to drive the change. But actually PT already isn't quite as dominant globally as some think. In the UK, Sky exclusively use Fairlight. Across Europe, Nuendo is becoming more popular. PT isn't a given even in Post. Market forces may work glacially there, but glaciers do move, after all. Also that slow rate of change also works for and against Avid. They're the clients least likely to want to upgrade at all, so especially the lower end of the market may just begin to opt out of upgrading anyway. Often when I ask larger facilities if they've considered PT11, they give me a funny "don't be absurd" kind of look. |
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