It's not really possible to create the sound of a string section by overdubbing the same players. They have the same instruments, bows, technique, intonation, articulation, feel. The aural polyvalency, granular nature of the string section is unique to the sound of many players, instruments, bows etc.
After years of string arranging, I ended up with 13 players as a minimum to get THAT section sound. I.e. 6 violins, 3 violas, 3 cellos and a bass, in other words, 3 quartets and a bass. Check out some of my work on Temptation, Come Live With Me, Best Kept Secret Heaven 17 - Luxury Gap, Beauty Stab ABC, etc then the players of London String Section (Gavin Wright) fixing for loads of things in the past 15 years - Massive Attack, Pat Methany, Madonna, etc yawn!
The preferred recording space is No.2 Abbey Road because it has a fantastic resonance for strings. You want to record by not feeling as though you have to force a good balance in the mix with the other instruments. Get the balance right as you record the section, get the sound to sit just right. You must not feel as though the board is doing the work, rather the string sound sits well in the track without force. This means micing close-ish and ambiently in phase accurate stereo, we use ambisonics also. The arrangement contributes most to the effect. Then of course, the accuracy of the playing.
Fewer players produce a solo-y sound and each instrument is too distinct, so typically you get stuck into the corner of having to put their sound out of phase, or delay, chorus, whatever to try to replicate the section sound. Most often a GM synth produces a far better section sound if mixed not too hot, then samplers are even better.
I'd say the less of a section you record, the quieter your arrangement should be. Try to aim for the resonance of the instruments and stay well clear of individual detail. My experiments with multitracking strings were always less than convincing, although it's just a different thing again.
Anyway, look, there are loads of string players, most read really well, you just get a nice space and the right amount of players together, some tasty condensors, you can record the whole thing quite quickly.
So probably no help there, good luck with your virtual section attempts. You wanna a bowed wash.
John Wesley Barker, Music Producer & Composer, Leith, Edinburgh
ProTools LE 5.0.1 / OS 9.0.4 / Apple G4 350MHz 192RAM
[email protected]
[This message has been edited by johnwesleybarker (edited December 02, 2000).]